Class may be the ultimate English taboo. The understanding and signalling of class or other identity attributes may become an obstacle to classical class analysis. An entirely different political class narrative may be called for that transcends the boundaries of sociological understanding before returning to the discipline once again.
Are we witnessing a solidarity turn in art production? If artists are workers and workers are artists, who’s standing in solidarity with whom?Artistic solidarity could be a powerful tool, but only if it is twinned with a careful examination of the claims that art makes about its own needs, desires, and abilities.
It’s a peculiar moment, to recognise so clearly one’s own feeling as belonging to an altogether different story, and in which either version of events could well be true. In my own seaside afternoon, I thought I was playing out some French film classic, perhaps the Louvre scene from À bout de soufflé.