Pierre d'Alancaisez

Atiéna R. Kilfa

Primitive Tales

Cabinet, London

★☆☆☆☆

On until 11 November 2023

This is an uninspired re-staging of Kilfa’s intriguing installation at Camden Art Centre, only assembled opaquely and with a couple of extra but missable works.

notes and notices are short and curt exhibition reviews. Read more:

Özgür Kar, Heavy Ground at Emalin ★★★☆☆

Özgür Kar

Heavy Ground

★★★☆☆

Kar’s insight a fly’s life – or, to have it his way, the whole universe – is fleeting.

Oh, the Storm at Rodeo ★☆☆☆☆

Oh, the Storm

★☆☆☆☆

This exhibitions is trying to explain the concept of ‘crazy paving’ to a blind man. It’s impossible to tell where a work ends and the wall begins.

Ron Nagle, Conniption at Modern Art ★★★★★

Ron Nagle

Conniption

★★★★★

Less is more, as the saying goes. Nagle’s porcelain and resin maquettes are the bare minimum.

Teewon Ahn and Ibrahim Meïté Sikely at Gianni Manhattan and P21 at Project Native Informant ★★★☆☆

Teewon Ahn and Ibrahim Meïté Sikely

★★★☆☆

These works are as garish as they are fun to look at.

Rose Finn-Kelcey, Suit of Lights at Kate MacGarry ★★★★☆

Rose Finn-Kelcey

Suit of Lights

★★★★☆

Local-art-centre retro exposes the breakdown of the feminist art project.

Mohammed Z. Rahman, A Flame is a Petal at Phillida Reid ★★★☆☆

Mohammed Z. Rahman

A Flame is a Petal

★★★☆☆

Rahman’s zine hand makes this make-believe explicit but not plausible.

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