Carla Åhlander, Aaron Amar Bhamr

Holding Places

★★★☆☆

On until 27 September 2024

Despite their formal simplicity, Åhlander’s photographs can build an atmosphere. It’s late summer at the family’s lake holiday cottage. The sun shines through the curtains, the building creaks in the breeze, and lunch will be ready soon. Together with the gallery’s fit-out – of brass trimmings, dark carpet, mirrors – the illusion is as good as complete. 

Then Amar Bhamr’s art handler’s readymade breaks it, hard, revealing the whole scene to be make-believe. But not before this artist, too, litters the floor with traces of the season’s turn, thus showing himself to be as sentimental as the rest of us. 


notes and notices are short and curt exhibition reviews. Read more:

Adriano Costa, ax-d. us. t at Emalin ★★★☆☆

Adriano Costa

ax-d. us. t

★★★☆☆

Form triumphs over detritus.

Eva Rothschild at Modern Art ★★☆☆☆

Eva Rothschild

★★☆☆☆

These sculptures are too clean, too ordered, and too clever for no good reason.

Claire Fontaine: Show Less at Mimosa House ★★☆☆☆

Claire Fontaine

Show Less

★★☆☆☆

Repeat these mantras enough, and the lie becomes art.

William S. Burroughs at October Gallery

William S. Burroughs

★★☆☆☆

Burroughs should be sexy, right?

The last train after the last train at Public ★★★☆☆

The last train after the last train

★★★☆☆

The failed magic tricks in Lyndon Barrois Jr.’s canvases would hang in the final scene of Chinese Roulette in which everyone turns against everyone.

Medusa at Union Gallery ★★★☆☆

Ada Bond, Rebecca Davy, Karen Densha, Sam Owen Hull, Hilary Jack, Rachel Goodyear, Evita Ziemele, et al.

Medusa

★★★☆☆

Interpreting a tale this grotesque, ugly, and venomous will take thousands of years

×