Choon Mi Kim

ACID—FREEEE

★☆☆☆☆

On until 28 October 2023

Some forms of abstraction simply scream ‘my kid could have made that’. Choon Mi Kim’s work looks like the result of an idea the artist had as a sixteen-year-old while doodling with one of those multi-coloured BIC pens. Sadly, the idea only degraded with access to a canvas. The paintings are marked sparsely with long strokes that meet at acute angles in colour transitions that suggest the brushes gradually getting dirty. Occasionally, traces of another idea appear: gestures of calligraphy, some emoji.

The gallery’s method to compensate for this immaturity (Kim only left art school this Summer) is to give no context for the endeavour in the hope of cultivating an air of mystery. That may work commercially. But it’s not likely to help the work grow.


notes and notices are short and curt exhibition reviews. Read more:

Alejandro Piñeiro Bello, Entre El Día Y La Noche at Pace ★☆☆☆☆

Alejandro Piñeiro Bello

Entre El Día Y La Noche

★☆☆☆☆

If only they were smaller, Piñera Ballo’s paintings would be a great hit in the shopping centre gallery your ex-army uncle just opened in Surrey. He’s gambling with the family’s savings, you condescend, but so is Pace with their show.…

Stuart Middleton, The Human Model at Carlos/Ishikawa ★★☆☆☆

Stuart Middleton

The Human Model

★★☆☆☆

An interest in material is core to this practice but Middleton mistrusts his instincts.

Pauline Boty at Gazelli Art House ★★★★☆

Pauline Boty

A Portrait

★★★★☆

This exhibition mixes the woman and her legend, but without the air of mystery she enjoyed during her lifetime.

Sin Wei Kin, Portraits at Soft Opening ★★☆☆☆

Sin Wei Kin

Portraits

★★☆☆☆

This exhibition combines the most vulgar of all art school tropes: juvenile narcissism, NFT kitsch, and mindless referentialism.

Mohammed Z. Rahman, A Flame is a Petal at Phillida Reid ★★★☆☆

Mohammed Z. Rahman

A Flame is a Petal

★★★☆☆

Rahman’s zine hand makes this make-believe explicit but not plausible.

Alvaro Barrington, Grandma’s Land at Sadie Coles ★★★☆☆

Alvaro Barrington

Grandma’s Land

★★★☆☆

The party slumps into a half-voiced political complaint and never recovers. This is what happens when instead of living culture, we ‘celebrate’ it.

×