Gray Wielebinski

The Red Sun is High, the Blue Low

★☆☆☆☆

On until 23 December 2023

On my first visit to this exhibition, I thought I’d misunderstood the ICA’s new opening times and missed half of the show. Returning, I found nothing more: a largely vacant space with some seats set in a circle, a photo wallpaper with multiple sunsets, and an electronic scoreboard like at a basketball court. In another room loosely styled as a military bunker and only dimly lit, I played with an unresponsive touchscreen to unknowingly change the score outside. Underwhelmed and unaffected, I moved to the gallery bar.

Reading the exhibition’s pamphlet in search of something to chew on, I found it full of vague observations and dubious claims. The title came from some Cold War science fiction. Time’s arrow is broken. There’s a world outside. We’re living in the end times. Some things mean other things.

This illuminated nothing. I knew that it was possible to understand art and life less after seeing an exhibition. I didn’t, however, imagine that experiencing Wielebinski’s work twice would only compound such damage.


notes and notices are short and curt exhibition reviews. Read more:

Yuki Nakayama, After the Rain at A.I. Gallery ★☆☆☆☆

Yuki Nakayama

After the Rain

★☆☆☆☆

Can an installation be too site-specific?

Karrabing Film Collective, Night Fishing with Ancestors at Goldsmiths CCA ★☆☆☆☆

Karrabing Film Collective

Night Fishing with Ancestors

★☆☆☆☆

Little separates this display from a human zoo complete with curators who occasionally kettle-prod the once noble savage into a spectacular rage.

Auudi Dorsey at PM/AM ★★★★☆

Auudi Dorsey

★★★★☆

Dorsey records the human experience with the true universalism of paint.

Riar Rizaldi, Mirage at Gasworks ★★★☆☆

Riar Rizaldi

Mirage

★★★☆☆

When an artist thinks he’s understood quantum mechanics, he doesn’t. How will he know if he knows god?

Divine Southgate-Smith, Navigator at Nicoletti ★☆☆☆☆

Divine Southgate-Smith

Navigator

★☆☆☆☆

It is too late to save the regime, yet too early to mourn it.

Lydia Gifford, Low Anchored Cloud at Alma Pearl ★★☆☆☆

Lydia Gifford

Low Anchored Cloud

★★☆☆☆

Oil paint applied so thickly that it’s a miracle the canvases don’t bring the gallery walls down with them

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