Iris Touliatou

Outfits

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On until 16 December 2023

The popularity of Institutional Critique – the artistic practice which takes the management of museums and galleries as its subject – has waxed and waned since artists like Michael Asher in the 1970s began to rearrange gallery walls and floors as though the fabric of the exhibition space was more interesting than the artefacts. Touliatou’s intervention at PEER – stripping a section of drywall, moving a door, and altering the gallery’s location on Google Maps – returns to this tradition as though nothing had changed in the meantime.

She has a point: the very purpose of art institutions is once again in question. But can Institutional Critiques’ failed experiments produce different results today? Touliatou’s twist takes her to the museum store where she assembled a collection of dozens of ceramic figurines of Jennings Dogs, the ornamental canine guardians found in the gardens of suburban homes whose 2nd-century Roman predecessor belongs to the British Museum. These gestures remind the gallery that it is a social space in which the vernacular should be at home. Unfortunately, they also inadvertently point to the gallery’s sorry end: art-free but dog-friendly.


notes and notices are short and curt exhibition reviews. Read more:

Pakui Hardware, Maria Terese Rozanskaite, Inflammation at Lithuanian pavilion Venice ★★★☆☆

Pakui Hardware, Maria Terese Rožanskaité

Inflammation

★★★☆☆

One of the novelties in Venice is the artwork that looks good but on reflection isn’t.

Matthew Barney, SECONDARY at Sadie Coles HQ ★★★☆☆

Matthew Barney

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★★★☆☆

Secondary turns the gallery into an American Football stadium. But all the seats in the house are the cheap seats and the game lacks a cheerleader.

Yorgos Prinos, Prologue to a Prayer at Hot Wheels ★★★★☆

Yorgos Prinos

Prologue to a Prayer

★★★★☆

Prinos’ frames are precise, tight, and formal, as though the street were his studio.

Urs Fischer, Scratch & Sniff at Sadie Coles ★★★☆☆

Urs Fischer

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★★★☆☆

It’s too early for a funeral, yet there’s no other reprieve in this commodity cult.

Dan Guthrie: Empty Alcove / Rotting Figure at Chisenhale ★★☆☆☆

Dan Guthrie

Empty Alcove / Rotting Figure

★★☆☆☆

The problem for a culture built on iconoclasm is that eventually, it will need to create images of its own. Guthrie is yet to consider this because his image war is still virtual. The subject of his static video installation,…

Siobhan Liddell, Been and Gone at Hollybush Gardens ★★☆☆☆

Siobhan Liddell

Been and Gone

★★☆☆☆

A twee aesthetics native to a grandmother’s mantlepiece collection of tourist souvenirs and devotional figurines.

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