Iris Touliatou

Outfits

★★★☆☆

On until 16 December 2023

The popularity of Institutional Critique – the artistic practice which takes the management of museums and galleries as its subject – has waxed and waned since artists like Michael Asher in the 1970s began to rearrange gallery walls and floors as though the fabric of the exhibition space was more interesting than the artefacts. Touliatou’s intervention at PEER – stripping a section of drywall, moving a door, and altering the gallery’s location on Google Maps – returns to this tradition as though nothing had changed in the meantime.

She has a point: the very purpose of art institutions is once again in question. But can Institutional Critiques’ failed experiments produce different results today? Touliatou’s twist takes her to the museum store where she assembled a collection of dozens of ceramic figurines of Jennings Dogs, the ornamental canine guardians found in the gardens of suburban homes whose 2nd-century Roman predecessor belongs to the British Museum. These gestures remind the gallery that it is a social space in which the vernacular should be at home. Unfortunately, they also inadvertently point to the gallery’s sorry end: art-free but dog-friendly.


notes and notices are short and curt exhibition reviews. Read more:

Erick Meyenberg, Nos marchábamos, regresábamos siempre, the Mexican pavilion in Venice ★☆☆☆☆

Erick Meyenberg

Nos marchábamos, regresábamos siempre

★☆☆☆☆

Whatever the purpose of this confusion, it’s not to be found in the gallery.

Carla Åhlander, Aaron Amar Bhamra, Holding Places at Belmacz ★★★☆☆

Carla Åhlander, Aaron Amar Bhamr

Holding Places

★★★☆☆

The illusion is as good as complete.

Meeson Jessica Pae, Secretions & Formations at Carl Kostyál ★★★★☆

Meeson Jessica Pae

Secretions & Formations

★★★★☆

Oil paint can cause cancer.

Tamara Henderson, Green in the Grooves at Camden Art Centre ★★★★☆

Tamara Henderson

Green in the Grooves

★★★★☆

The whole thing feels like a remake of Wind in the Willows directed by a garden gnome.

things fall apart; the centre cannot hold at Tabula Rasa ★★★★☆

Elli Antoniou, Ali Glover, Richard Dean Hughes

things fall apart; the centre cannot hold

★★★★☆

These works could bear witness to the birth of a star or the heat death of the universe. The curators don’t know which.

I’m so gay for you at Miłość ★★☆☆☆

I'm so gay for you

★★☆☆☆

This “celebration of queerness” is no orgy

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