looking to the futurepast, we are treading forward

★☆☆☆☆

On until 24 November 2024

The Russian Federation and Bolivia signed a $450 million Lithium deal last December. Its extra contractual perk of free rent on Russia’s Giardini pavilion clearly took the South American state’s Ministry of Cultures, Decolonization, and Depatriarchalization (yes, that’s the real name of the governmental body) by surprise and it barely succeeded in finding content for the presentation.

Thankfully, the tourist office dug up a museum demo of traditional yarn-spinning and a bunch of naive folk paintings came out from the store. A set of panpipes tucked in the corner signal that the contemporary is of no interest to a nation whose future is yet to be dug out from the ground. One star is due, however, for this project’s unintentional geopolitical relevance.


notes and notices are short and curt exhibition reviews. Read more:

Michaël Borremans, The Monkey at David Zwirner ★★★★★

Michaël Borremans

The Monkey

★★★★★

Borremans toys with his subjects, his audience, and with art history.

Celia Hempton, Transplant at Phillida Reid ★★★☆☆

Celia Hempton

Transplant

★★★☆☆

Sense finally returns only outside the gallery.

Talar Aghabshian, Solace of the Afterimage at Marfa’ at The Approach ★★☆☆☆

Talar Aghbashian

Solace of the Afterimage

★★☆☆☆

The carpet dealer gallerist’s zeal reveals the work’s lamentable inadequacy. 

Shu Lea Cheang at Project Native Informant ★★☆☆☆

Shu Lea Cheang

Scifi New Queer Cinema, 1994-2023

★★☆☆☆

With material this gratuitously explicit and a curator this absent, it’s a miracle that this project wasn’t shut down by the licencing, or indeed art-historical authorities.

Maso Nakahara: Floating Through Time at Pippy Houldsworth ★★★★☆

Maso Nakahara

Floating Through Time

★★★★☆

Biblical floods, the comet’s fall, and the odd tsunami mercilessly toss Nakahara’s protagonists about.

Marina Abramović, 7 Deaths of Maria Callas ★☆☆☆☆

Marina Abramović

7 Deaths of Maria Callas

★☆☆☆☆

Abramović wants to destroy all performance and all women until she holds the monopoly over stage death.

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