Nicola Turner, Edward Bekkerman

The Song of Psyche: Corners of a Soul's Otherworlds

★★☆☆☆

Curated by Marina Shtager
On until 12 January 2024

Turner’s Medusa-like sculptures fashioned from tights stuffed with horse hair and wool fill the gallery with an earthy aroma that distinguishes these forms from similar made by Lucas or Bourgeois. Their tentacles want to envelop the studio, having already consumed the artist and possessed a dancer to prance among them at the show’s opening.

For all their bravado, these works are mere props, as befalls the weekend output of an otherwise accomplished scenic designer. But as dressing, they only accentuate Bekkerman’s hideously colourful oils, their counterparts in this exhibition, which hang off the canvases so thickly that they might drip onto the floor. Assaulted by these viscous ejaculations, the eye reads into them what could be figures assembled at a rally before retreating to safety and dismissing these works as shopping mall abstractions.

This project – not only the show’s cringeworthy title and the gallery’s unpronounceable name and unstated mission – is difficult to fathom. Who opens a space in Fitzrovia only to fill it with such drivel? What is the market, of buyers or admirers, for ideas so pedestrian and so poorly executed? The answer is a Google search away. To link to it, however, would be uncharitable.


notes and notices are short and curt exhibition reviews. Read more:

Justin Caguiat, Dreampop at Modern Art ★★★★☆

Justin Caguiat

Dreampop

★★★★☆

This is the sort of exhibition that makes a critic question the quality of their judgment.

Deimantas Narkevičus, The Fifer at Maureen Paley ★★☆☆☆

Deimantas Narkevičus

The Fifer

★★☆☆☆

In the age of the decolonial, this is as quaint as it is outmoded

Divine Southgate-Smith, Navigator at Nicoletti ★☆☆☆☆

Divine Southgate-Smith

Navigator

★☆☆☆☆

It is too late to save the regime, yet too early to mourn it.

Șerban Savu, The Romanian Pavilion in Venice ★★★★☆

Șerban Savu

What Work Is

★★★★☆

This Elysium is part panel house block, half Roman ruin

Marina Xenofontos, Public Domain at Camden Art Centre ★★★☆☆

Marina Xenofontos

Public Domain

★★★☆☆

There’s an unfortunate ‘emerging artist’ vibe to this handful of readymade sculptures.

Yi To, Terminal Lucidity at Project Native Informant ★★★★☆

Yi To

Terminal Lucidity

★★★★☆

All evidence erodes eventually.

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