Nikita Gale

Blur Ballad

★★☆☆☆

On until 9 December 2023

‘Retinal’ was once an epithet for art that pleased the eye but didn’t reach the brain or the heart. Gale wants to reclaim it by making art about retinas themselves. The exhibition is a minimalistic sound-and-light show about a visit to the optician’s, only that Gale’s spectacles are literally four-eyes and you can’t read any of the letters on the charts however hard you try. 

Gale trained as an anthropologist, and this shows. The works try to speak to technology and its play with the human – or the other way around – but are stuck at that facile gadget and gimmick stage. Even though the project brings together a few unusual tricks, they are disjointed and leave little for the eye to linger on. Is ‘cerebral’ a compliment?


notes and notices are short and curt exhibition reviews. Read more:

Tommy Camerno, Delirious at Filet ★★☆☆☆

Tommy Camerno

Delirious

★★☆☆☆

What’s left of the show are stage props that feed adolescent imaginations with false memories of the long-finished party.

Mohammed Z. Rahman, A Flame is a Petal at Phillida Reid ★★★☆☆

Mohammed Z. Rahman

A Flame is a Petal

★★★☆☆

Rahman’s zine hand makes this make-believe explicit but not plausible.

Yannis Maniatakos, Four Paintings at Sylvia Kouvali ★★★☆☆

Estate of Yiannis Maniatakos

Four Paintings

★★★☆☆

Examining the paintings in the gallery’s bright lights doesn’t lift their mystery.

Auudi Dorsey at PM/AM ★★★★☆

Auudi Dorsey

★★★★☆

Dorsey records the human experience with the true universalism of paint.

Ksenia Pedan, Revision at Cell Project Space ★★★★☆

Ksenia Pedan

Revision

★★★★☆

Pedan’s paintings would rather be anything but.

Trackie McLeod, FRUIT II at The Bomb Factory ★★☆☆☆

Trackie McLeod

FRUIT II

★★☆☆☆

“Working-class” and “queer” appear in the collateral as obligatory. What doesn’t is “white”.

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