Nikita Gale

Blur Ballad

★★☆☆☆

On until 9 December 2023

‘Retinal’ was once an epithet for art that pleased the eye but didn’t reach the brain or the heart. Gale wants to reclaim it by making art about retinas themselves. The exhibition is a minimalistic sound-and-light show about a visit to the optician’s, only that Gale’s spectacles are literally four-eyes and you can’t read any of the letters on the charts however hard you try. 

Gale trained as an anthropologist, and this shows. The works try to speak to technology and its play with the human – or the other way around – but are stuck at that facile gadget and gimmick stage. Even though the project brings together a few unusual tricks, they are disjointed and leave little for the eye to linger on. Is ‘cerebral’ a compliment?


notes and notices are short and curt exhibition reviews. Read more:

Florian Meisenberg, What does the smoke know of the fire? at Kate MacGarry, ★★★★☆

Florian Meisenberg

What does the smoke know of the fire?

★★★★☆

Meisenberg’s paintings are either the product of a conspiracy or documents of a conspiracy theory.

Joshua Leon, The Missing O and E at Chisenhale Gallery ★☆☆☆☆

Joshua Leon

The Missing O and E

★☆☆☆☆

This embarrassing display indicts today’s second-fiddlers with narcissism and egomania.

Sin Wei Kin, Portraits at Soft Opening ★★☆☆☆

Sin Wei Kin

Portraits

★★☆☆☆

This exhibition combines the most vulgar of all art school tropes: juvenile narcissism, NFT kitsch, and mindless referentialism.

Dan Guthrie: Empty Alcove / Rotting Figure at Chisenhale ★★☆☆☆

Dan Guthrie

Empty Alcove / Rotting Figure

★★☆☆☆

The problem for a culture built on iconoclasm is that eventually, it will need to create images of its own. Guthrie is yet to consider this because his image war is still virtual. The subject of his static video installation,…

Pakui Hardware, Maria Terese Rozanskaite, Inflammation at Lithuanian pavilion Venice ★★★☆☆

Pakui Hardware, Maria Terese Rožanskaité

Inflammation

★★★☆☆

One of the novelties in Venice is the artwork that looks good but on reflection isn’t.

Erick Meyenberg, Nos marchábamos, regresábamos siempre, the Mexican pavilion in Venice ★☆☆☆☆

Erick Meyenberg

Nos marchábamos, regresábamos siempre

★☆☆☆☆

Whatever the purpose of this confusion, it’s not to be found in the gallery.

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