How does a curator tell an unfamiliar history yet evade the museum’ didacticism and the audience’s dulled expectations? Jhaveri’s ambitious review of India’s testing decades at the end of the 20th century could easily have been a torturous sermon: the…

In this game of aesthetic cognition, the idea which survives is of the artist thinking.

Dorsey records the human experience with the true universalism of paint.

Forrester’s project is timely when foundational concepts like ‘mother’ and their ‘as-though’ counterparts are readily confused.

If only he stopped there.

There’s no dignity in paint when the arc of art history tends to “show hole”.