I'm so gay for you

★★☆☆☆

Curated by Sophie Williamson
On until 15 March 2025

Valentine’s Day is good to launch a love-in, but this thirteen-artist “celebration of queerness” is no orgy. Judging by the works selected – seemingly at random – from a related glossy magazine, to be gay is to remain only half-aware of having a body lest it prompts the realisation that so does everyone else.

The fear of sex haunts this project, if not the culture it stems from. Murky images, like Rosie Thomas’ silvery snapshots of street carnivals gesture at sensuousness but they are too hard to read, and so without good reason. Gosia Kołdraszewska thinks she’s a sex rebel, but outright censors her erotic scene with a a cutesy metaphor that saves her subjects the proverbial bother. Paul Arthur’s raunchy 70’s pin-up once came close to a climax. It now seeks the ending on PornHub.

Does anyone fuck anymore? Or make art? At least Lucy Deveral has the nerve to make an old-school lesbian nude, and that alone breaks the show’s mantra of “joy”. All that’s left is to giggle post-coitally, then dive into Olivia Sterling’s body part patisserie.


notes and notices are short and curt exhibition reviews. Read more:

Michael Andrew Page, Claustrum at Project Native Informant ★★★★☆

Michael Andrew Page

Claustrum

★★★★☆

Page’s tent, brain, and the cathedral take the same form for a pretty good reason.

Amanda Wall, Femcel at Almine Rech ★★★☆☆

Amanda Wall

Femcel

★★★☆☆

There’s no dignity in paint when the arc of art history tends to “show hole”.

Trevor Yeung, Hong Kong in Venice ★★★☆☆

Trevor Yeung

Courtyard of Attachments

★★★☆☆

This fishbowl universe is easy sea comfort but ultimately no sushi.

Alia Farid, Elsewhere at Chisenhale ★★★☆☆

Alia Farid

Elsewhere

★★★☆☆

There is no answer in the work. Its cause and the object become enmeshed in a bland, exoticized mess. 

Freudian Typo at Delfina Foundation ★★☆☆☆

Freudian Typo

Condensed Word, Displaced Flesh

★★☆☆☆

The problem of artists who confuse graphic design with art is that they also mistake sloganeering for critique.

Leonardo Drew, Ubiquity II at South London Gallery ★★☆☆☆

Leonardo Drew

Ubiquity II

★★☆☆☆

There are many ways to misunderstand entropy.

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