Alex Katz

Spring

★★☆☆☆

Curated by Timothy Taylor
On until 26 October 2024

The nonagenarian Katz is an acquired taste. His bold colouring and reduced forms are perfect for sore American eyes trained on advertising and pop art. To them, such habitual simplicity might look like an unpretentious virtue. 

Should flower arrangements need such an initiation? Katz’s pictures of willow and daffodils are pleasant but trivial. The man’s a legend, granted – think Hockney and his later landscapes – but this emperor’s clothes have moth holes. 


notes and notices are short and curt exhibition reviews. Read more:

Entangled Pasts at The Royal Academy ★★☆☆☆

Entangled Pasts, 1768–now

★★☆☆☆

Who could have thought that these mantras would turn into rote?

Sibylle Ruppert, Frenzy of the Visible at Project Native Informant ★★★★☆

Sibylle Ruppert

Frenzy of the Visible

★★★★☆

This is the fodder of DeviantArt and the last year’s AI engines.

Helen Johnson, Opening at Pilar Corrias ★☆☆☆☆

Helen Johnson

Opening

★☆☆☆☆

This is the work of a mind that, having needlessly spent years in therapy, became hooked on ennui or of an artist who wasted time misreading Lacan.

Merike Estna: The House of Leaking Sky at the Estonian pavilion, Venice ★★☆☆☆

Merike Estna

The House of Leaking Sky

★★☆☆☆

A racket not useful for sport.

TJ Wilcox, Hiding in Plain Sight at Sadie Coles HQ ★★☆☆☆

TJ Wilcox

Hiding in Plain Sight

★★☆☆☆

Vanity proceeds in circles.

Asami Shoji et al., Gestures of Resistance at A.I. ★★★★☆

Asami Shoji et al.

Gestures of Resistance

★★★★☆

The figures appear as though in x-ray and helplessly foretell their own ends.

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