Alex Katz

Spring

★★☆☆☆

Curated by Timothy Taylor
On until 26 October 2024

The nonagenarian Katz is an acquired taste. His bold colouring and reduced forms are perfect for sore American eyes trained on advertising and pop art. To them, such habitual simplicity might look like an unpretentious virtue. 

Should flower arrangements need such an initiation? Katz’s pictures of willow and daffodils are pleasant but trivial. The man’s a legend, granted – think Hockney and his later landscapes – but this emperor’s clothes have moth holes. 


notes and notices are short and curt exhibition reviews. Read more:

Nikita Gale, Blur Ballad at Emalin ★★☆☆☆

Nikita Gale

Blur Ballad

★★☆☆☆

Even though the show brings together a few unusual tricks, they are disjointed and leave little for the eye to linger on.

Willie Doherty, Remnant at Matt’s Gallery ★★★☆☆

Willie Doherty

Remnant

★★★☆☆

Doherty’s tragipoetic timing can be masterly.

Joshua Leon, The Missing O and E at Chisenhale Gallery ★☆☆☆☆

Joshua Leon

The Missing O and E

★☆☆☆☆

This embarrassing display indicts today’s second-fiddlers with narcissism and egomania.

Michaël Borremans, The Monkey at David Zwirner ★★★★★

Michaël Borremans

The Monkey

★★★★★

Borremans toys with his subjects, his audience, and with art history.

Nicole Eisenman, What Happened at Whitechapel Gallery ★★★☆☆

Nicole Eisenman

What Happened

★★★☆☆

There’s a Bosch hellscape dedicated to Trump and a whole “basket of deplorables” polishing their guns in a prepper cell.

Lydia Gifford, Low Anchored Cloud at Alma Pearl ★★☆☆☆

Lydia Gifford

Low Anchored Cloud

★★☆☆☆

Oil paint applied so thickly that it’s a miracle the canvases don’t bring the gallery walls down with them

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