Alex Katz

Spring

★★☆☆☆

Curated by Timothy Taylor
On until 26 October 2024

The nonagenarian Katz is an acquired taste. His bold colouring and reduced forms are perfect for sore American eyes trained on advertising and pop art. To them, such habitual simplicity might look like an unpretentious virtue. 

Should flower arrangements need such an initiation? Katz’s pictures of willow and daffodils are pleasant but trivial. The man’s a legend, granted – think Hockney and his later landscapes – but this emperor’s clothes have moth holes. 


notes and notices are short and curt exhibition reviews. Read more:

HelenA Pritchard, The Homeless Mind at TJ Boulting ★★★☆☆

HelenA Pritchard

The Homeless Mind

★★★☆☆

Death by debris falling from building façades is an artist’s occupational hazard.

Harmony Korine, Aggressive Dr1fter Part II at Hauser & Wirth ★★☆☆☆

Harmony Korine

Aggressive Dr1fter Part II

★★☆☆☆

The garish colours which may have carried the story in cinema here are unfitting of their new medium.

Leah Clements: Apophenia at PEER ★★☆☆☆

Leah Clements

Apophenia

★★☆☆☆

It takes a lot to pull off an essay film, and Clements is no essayist.

Tarek Lakhrissi, Spit at Nicoletti ★★★☆☆

Tarek Lakhrissi

Spit

★★★☆☆

Writing poetry is hard enough.

Deimantas Narkevičus, The Fifer at Maureen Paley ★★☆☆☆

Deimantas Narkevičus

The Fifer

★★☆☆☆

In the age of the decolonial, this is as quaint as it is outmoded

Phung-Tien Pham, doesn’t work at Project Native Informant ★★☆☆☆

Phung-Tien Pham

doesn't work

★★☆☆☆

Fad aesthetics for fad ideas.

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