Alex Katz

Spring

★★☆☆☆

Curated by Timothy Taylor
On until 26 October 2024

The nonagenarian Katz is an acquired taste. His bold colouring and reduced forms are perfect for sore American eyes trained on advertising and pop art. To them, such habitual simplicity might look like an unpretentious virtue. 

Should flower arrangements need such an initiation? Katz’s pictures of willow and daffodils are pleasant but trivial. The man’s a legend, granted – think Hockney and his later landscapes – but this emperor’s clothes have moth holes. 


notes and notices are short and curt exhibition reviews. Read more:

Mandy El-Sayegh, Interiors at Thaddeus Ropac ★★☆☆☆

Mandy El-Sayegh

Interiors

★★☆☆☆

For the abundance of material, there simply aren’t enough ideas in the exhibition to go around these Mayfair interiors.

Mohammad Ghazali, Trilogy: Then… at Ab-Anbar ★★★★☆

Mohammad Ghazali

Trilogy: Then…

★★★★☆

Repetition and framing are photography’s greatest tricks.

Trevor Yeung, Soft Ground, at Gasworks ★★☆☆☆

Trevor Yeung

Soft Ground

★★☆☆☆

It’s stressful enough to fuck in the forest for fear of passers-by or the police; imagine having to also look out for curators.

Max Hooper Schneider, Twilight at the Earth’s Crust at Maureen Paley ★★☆☆☆

Max Hooper Schneider

Twilight at the Earth’s Crust

★★☆☆☆

Mad Max meets Waterworld in a crossover sequel conceived by a film studio’s marketing department.

Cullinan Richards, Retrospective at Alma Pearl ★★★★☆

Cullinan Richards

Retrospective

★★★★☆

Rhis show is the kompromat in an art generation’s archive.

Herman Chong, The Book of Equators at Amanda Wilkinson ★★☆☆☆

Herman Chong

The Book of Equators

★★☆☆☆

Chong was probably reading some epic while painting his Equator pictures.

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