Erick Meyenberg
Nos marchábamos, regresábamos siempre


On until 24 November 2024

The exhibition guide outlines Meyenberg’s unremarkably winding family lineage and, without much explanation, the tale of a particular family reunion dinner. It makes use of personal and national stereotypes and stories so complex that even a seasoned historian would reach for a pencil and then for the truth serum. 

Whatever the reason or purpose of this confusion, it’s not to be found in the gallery where an oversized dining table stands as a memento of this fateful event. White linens and ceramic debris of plates, glass, and foodstuffs pay testament to a feud, but also to life because clay’s wonky stature is an inalienable feature of this millenia-old medium.

This would have been fine. But Meyenberg needlessly exalts his non-experience by sending a camera around this table-top diorama and drowns the family scene in gratuitous projections. Rather than add, they undermine his story, making an exhibition that distrust its own medium and a tale that quenches curiosity.

notes and notices are short and curt exhibition reviews. Read more:

Thibault Aedy, Dilara Koz at Filet ★★★☆☆

Thibault Aedy, Dilara Koz

Caressed and Polished and Drained and Washed


These ideas can’t last beyond the pop-up show’s closing date.

Iris Touliatou, Outfits at PEER ★★★☆☆

Iris Touliatou



These gestures remind the gallery that it is a social space. Unfortunately, they also inadvertently point to its sorry end.

Anastasia Pavlou, Reader at Hot Wheels ★★☆☆☆

Anastasia Pavlou

Reader, Part 2; The Reader Reads Words in Sentences


In this game of aesthetic cognition, the idea which survives is of the artist thinking.

Mohammad Ghazali, Trilogy: Then… at Ab-Anbar ★★★★☆

Mohammad Ghazali

Trilogy: Then…


Repetition and framing are photography’s greatest tricks.

Entangled Pasts at The Royal Academy ★★☆☆☆

Entangled Pasts, 1768–now


Who could have thought that these mantras would turn into rote?

Tyler Eash, All the World’s Horses at Nicoletti ★★☆☆☆

Tyler Eash

All the World's Horses


The artist must choose which ground is best ceded.