Alexandre Canonico

Still

★★★☆☆

On until 16 December 2023

Conanico’s assemblages of shapes cut out of card and MDF board are so simple and playful that it would be easy to overlook them. Spray-painted rectangles connect to other rectangles like in a Blue Peter project. Curved shapes bear loads of miniature skyscrapers. Screws and washers hold a school science project together. These illustrations are each diagrams for something but to ask what is to miss the joke.

Such work could claim a place in the tradition of geometric abstraction but because Conanico doesn’t confine his paper cuttings to a canvas, or any plain for that matter, he overcomes it. His slight structures look like they could take flight at any moment and, in so doing, alter the fundamental laws of the universe. The sinister afterimage of such action, only barely implied by the work, would complete the show.


notes and notices are short and curt exhibition reviews. Read more:

Raed Yassin: Eternal Ghost at Cedric Bardawill ★★☆☆☆

Raed Yassin

Eternal Ghost

★★☆☆☆

Pictures of other people’s children don’t sell.

Linder, Danger Came Smiling at Hayward Gallery ★★★★☆

Linder

Danger Came Smiling

★★★★☆

Linder’s second-wave feminist propositions were ruthlessly superseded.

Hannah Tilson, Soft Cut at Cedric Bardawil ★★☆☆☆

Hannah Tilson

Soft Cut

★★☆☆☆

Tilson’s styled self-portraits are an affectation that will take many years of practice to pay off.

Thibault Aedy, Dilara Koz at Filet ★★★☆☆

Thibault Aedy, Dilara Koz

Caressed and Polished and Drained and Washed

★★★☆☆

These ideas can’t last beyond the pop-up show’s closing date.

Stephen Willats, Time Tumbler at Victoria Miro

Stephen Willats

Time Tumbler

★★★★☆

Willats orders fragments of time, matter, and space into data packets on one side of the flow chart and puts them to use on the other.

Jack O’Brien, The Reward at Camden Art Centre ★★☆☆☆

Jack O'Brien

The Reward

★★☆☆☆

No narrative emerges from the tonnes of steel and plastic his work consumed

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