Abel Auer

The shadow of tomorrow draws an ancient silhouette

★★★☆☆

On until 4 October 2023

Abel Auer’s paintings are consumed by the apocalypse. A nuclear mushroom cloud washes over the landscape in one with a sinister orange hue. Another captures an encroaching forest fire. Things are no better in the city where a hurricane has toppled towers. In a literal example of ‘zombie figuration’, Death himself makes an appearance on one canvas, while in others, the dying are busy counting hell’s circles. It’s a memento mori but death is the future and the past perfect at once.

For its concern with the natural and the inevitable, this isn’t an exhibition about the climate crisis. It is, nonetheless, opportunistic: like every artist, Auer tries to turn the disaster to art’s advantage. But he is more interested in the fate of painting than humanity and thus stands apart from the army of zealots who make eco art today. Unfortunately, a ‘key’ painting – a kind of sales pitch that calls to the Illuminati, the pyramids, and aliens – undermines the show and turns it back into propaganda. 


notes and notices are short and curt exhibition reviews. Read more:

Oisín Byrne, Not Marble at Amanda Wilkinson ★★☆☆☆

Oisín Byrne

Not Marble

★★☆☆☆

Byrne has a type. Or rather, he’ll paint you into one.

Divine Southgate-Smith, Navigator at Nicoletti ★☆☆☆☆

Divine Southgate-Smith

Navigator

★☆☆☆☆

It is too late to save the regime, yet too early to mourn it.

Adriano Costa, ax-d. us. t at Emalin ★★★☆☆

Adriano Costa

ax-d. us. t

★★★☆☆

Form triumphs over detritus.

Peter Fischli and David Weiss at Sprüth Magers ★★★★☆

Peter Fischli and David Weiss

★★★★☆

A police procedural turns into a drinking game of Foucauldian power analysis.

James Welling and Bernd & Hilla Becher at Maureen Paley ★★★☆☆

James Welling and Bernd & Hilla Becher

★★★☆☆

Welling’s veneration of brutalist concrete borders on fetish.

Sibylle Ruppert, Frenzy of the Visible at Project Native Informant ★★★★☆

Sibylle Ruppert

Frenzy of the Visible

★★★★☆

This is the fodder of DeviantArt and the last year’s AI engines.

×