Kyle Mithell’s image archive would make Adam Curtis’ heart sing. Contextless, charged views of people and systems, toned with that pale hue of ‘archive’ give the impression that something profound is extracted from the reels, tapes, and screen-grabs the artists set to Luke Fowler’s ominous soundtrack. 

But her hour-long meditation on health, care, and disability – wrapped in musings on the nature of film – feels more like a PhD-by-practice submission than BBC iPlayer fodder, let alone the contents of an art exhibition. The video’s plot is so dense that it takes six pages of writing to explain what connects Zoom movement workshops and the fact that urine, apparently, makes for a decent film developer solution.

There is some tenderness to the edit, but it hides under poorly articulated complaints and a cliché warning against eugenics. When even Curtis has stopped narrating his ‘documentaries’, some stories are wasted breath.