TJ Wilcox

Hiding in Plain Sight

★★☆☆☆

On until 2 October 2024

Vanity proceeds in circles. In the 1920s, the Irish designer Gray built herself a villa on the French Riviera. She and the structure would have become icons, but a more famous architect initially took the spotlight. It thus took a hundred years for a trust to turn the building into a tourist attraction. 

Why we might care is not obvious. Heritage projects often commission artists to “research” and twist complex narratives into marketing collateral. The history revisionist Wilcox made a two-projector film for Gray’s tiny home cinema. A docu-fiction track meets Baudelaire in his frame, laying the ground for some greater legend. 

This trivia is too tiresome to fact-check and should have stayed on the French coast. Only vanity can explain the film’s London outing. The garishly blue, metallic still prints don’t even make for good postcards.


notes and notices are short and curt exhibition reviews. Read more:

Bruno Zhu, License to Live at Chisenhale ★☆☆☆☆

Bruno Zhu

License to Live

★☆☆☆☆

Faced with so little, one longs for an even emptier room.

looking to the futurepast, we are treading forward, the Bolivian pavilion in Venice ★☆☆☆☆

looking to the futurepast, we are treading forward

★☆☆☆☆

The contemporary is of no interest to a nation whose future is yet to be dug out from the ground.

Jan Gatewood, Group Relations at Rose Easton ★☆☆☆☆

Jan Gatewood

Group Relations

★☆☆☆☆

Such thin metaphors could only have come from LA.

Lutz Bacher, AYE! at Raven Row ★★★★☆

Lutz Bacher

AYE!

★★★★☆

There’s joy in repetition. There’s joy in repetition. There’s joy in repetition. There’s joy in repetition. There’s joy in repetition. There’s joy in repetition.

Manfred Pernice, Megan Plunknett, >anticorpo< at Galerie Neu and Emalin ★★★★☆

Manfred Pernice, Megan Plunknett

>anticorpo<

★★★★☆

Such ‘80s nostalgia for meaning before history’s end is a comfort blanket.

The Otolith Group, I See Infinite Distance Between Any Point and Another at greengrassi ★★☆☆☆

The Otolith Group

I See Infinite Distance Between Any Point and Another

★★☆☆☆

The exhibition is a private memorial for Etel Adnan accessible only to members of the art world’s inner circle. And that’s a pity.

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