Amilia Graham

The Crust

★★☆☆☆

On until 17 September 2024

To stage covert exhibitions in the City of London is an act of opportunistic resistance, or so declares the curator of this illegal pop-up in a bus drivers’ toilet. The respite from capitalism is temporary, however: each show lasts no more than three hours, and it’s bring-your-own booze. In the long lineage of galleries located in toilets, this one is more a hipster happening than an artistic challenge to anything. 

Graham’s poor image photographic installation, composed of scuffed stock images of breakfast foods in cheap clip frames, is so unspectacular that it would be overlooked by a driver using the facilities in a hurry. It follows some more intrusive projects that in their Insta documentation brim with toilet humour that might get TfL’s cleaning crew the sack. The practice has earned the project an invitation to a boutique art fair all the same.

To do things without the institutions’ blessing is, by principle, better than doing nothing. By paying no attention to art, however, this project replicates the problem it wants to avoid.


notes and notices are short and curt exhibition reviews. Read more:

Robert Rauschenberg, ROCI at Thaddeus Ropac ★★★☆☆

Robert Rauschenberg

ROCI

★★★☆☆

This project outs Rauschenberg as a propagandist if not an outright Fed.

Riar Rizaldi, Mirage at Gasworks ★★★☆☆

Riar Rizaldi

Mirage

★★★☆☆

When an artist thinks he’s understood quantum mechanics, he doesn’t. How will he know if he knows god?

Julia Phillips: Inside, Before They Speak at Barbican ★★★★☆

Julia Phillips

Inside, Before They Speak

★★★★☆

No object exists without its double, no form without an opposite. Phillips’s dainty assemblies of ceramic, steel, and PVC tube exist only as much as something else—the artist’s body and mind, for example—took a lead in shaping them.  The resulting…

Paper Tiger Television at Goldsmiths CCA ★★☆☆☆

Paper Tiger Television

It’s 8:30. Do you know where your brains are?

★★☆☆☆

Hand-painted backdrops and cardboard props appeal to institutional leaders stuck in Blue Peter nostalgia.

Șerban Savu, The Romanian Pavilion in Venice ★★★★☆

Șerban Savu

What Work Is

★★★★☆

This Elysium is part panel house block, half Roman ruin

Dickon Drury at Seventeen ★★★☆☆

Dickon Drury

The Preceding Cart & POV: You are Beans

★★★☆☆

Painting needs prophets, Drury plays a jester.

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