Amilia Graham

The Crust

★★☆☆☆

On until 17 September 2024

To stage covert exhibitions in the City of London is an act of opportunistic resistance, or so declares the curator of this illegal pop-up in a bus drivers’ toilet. The respite from capitalism is temporary, however: each show lasts no more than three hours, and it’s bring-your-own booze. In the long lineage of galleries located in toilets, this one is more a hipster happening than an artistic challenge to anything. 

Graham’s poor image photographic installation, composed of scuffed stock images of breakfast foods in cheap clip frames, is so unspectacular that it would be overlooked by a driver using the facilities in a hurry. It follows some more intrusive projects that in their Insta documentation brim with toilet humour that might get TfL’s cleaning crew the sack. The practice has earned the project an invitation to a boutique art fair all the same.

To do things without the institutions’ blessing is, by principle, better than doing nothing. By paying no attention to art, however, this project replicates the problem it wants to avoid.


notes and notices are short and curt exhibition reviews. Read more:

Șerban Savu, The Romanian Pavilion in Venice ★★★★☆

Șerban Savu

What Work Is

★★★★☆

This Elysium is part panel house block, half Roman ruin

Nicole Eisenman, What Happened at Whitechapel Gallery ★★★☆☆

Nicole Eisenman

What Happened

★★★☆☆

There’s a Bosch hellscape dedicated to Trump and a whole “basket of deplorables” polishing their guns in a prepper cell.

Talar Aghabshian, Solace of the Afterimage at Marfa’ at The Approach ★★☆☆☆

Talar Aghbashian

Solace of the Afterimage

★★☆☆☆

The carpet dealer gallerist’s zeal reveals the work’s lamentable inadequacy. 

Nanténé Traoré at Sultana and Amanda Wilkinson ★★☆☆☆

Nanténé Traoré

She says it's the high energy

★★☆☆☆

Bodies clash with lights in front of Traoré’s Narcissus camera.

Trevor Yeung, Soft Ground, at Gasworks ★★☆☆☆

Trevor Yeung

Soft Ground

★★☆☆☆

It’s stressful enough to fuck in the forest for fear of passers-by or the police; imagine having to also look out for curators.

Pauline Boty at Gazelli Art House ★★★★☆

Pauline Boty

A Portrait

★★★★☆

This exhibition mixes the woman and her legend, but without the air of mystery she enjoyed during her lifetime.

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