Amilia Graham

The Crust

★★☆☆☆

On until 17 September 2024

To stage covert exhibitions in the City of London is an act of opportunistic resistance, or so declares the curator of this illegal pop-up in a bus drivers’ toilet. The respite from capitalism is temporary, however: each show lasts no more than three hours, and it’s bring-your-own booze. In the long lineage of galleries located in toilets, this one is more a hipster happening than an artistic challenge to anything. 

Graham’s poor image photographic installation, composed of scuffed stock images of breakfast foods in cheap clip frames, is so unspectacular that it would be overlooked by a driver using the facilities in a hurry. It follows some more intrusive projects that in their Insta documentation brim with toilet humour that might get TfL’s cleaning crew the sack. The practice has earned the project an invitation to a boutique art fair all the same.

To do things without the institutions’ blessing is, by principle, better than doing nothing. By paying no attention to art, however, this project replicates the problem it wants to avoid.


notes and notices are short and curt exhibition reviews. Read more:

Hany Armanious, Circle Square at Phillipa Reid ★★☆☆☆

Hany Armanious

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★★☆☆☆

The lightness of being can turn unbearable.

Carla Åhlander, Aaron Amar Bhamra, Holding Places at Belmacz ★★★☆☆

Carla Åhlander, Aaron Amar Bhamr

Holding Places

★★★☆☆

The illusion is as good as complete.

Jan Gatewood, Group Relations at Rose Easton ★☆☆☆☆

Jan Gatewood

Group Relations

★☆☆☆☆

Such thin metaphors could only have come from LA.

Noah Davis at The Barbican ★★★☆☆

Noah Davis

★★★☆☆

Davis’ canvases give an account of time more sensitively than the Victorian portrait photograph

Joanne Burke, Oes with works like Esses at Soft Opening ★★★★☆

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Oes with works like Esses

★★★★☆

Hot metal is that, like water, it spills away from the mould.

The Music is Black at V&A East ★★☆☆☆

The Music is Black: A British Story

★★☆☆☆

Can there be a “black British music” without Britain or blackness?

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