Kate Burling, Anna Choutova, Douglas Cantor, Nettle Grellier, Gosia Kołdraszewska, Lydia Pettit, Olivia Sterling, Sophie Vallance Cantor

Cherry Bomb!

★★☆☆☆

On until 4 October 2025

To hang a group exhibition on the idea that “the cherry throughout the history of art and literature has symbolised dualities” is to risk confusing Chekhov with Nabokov. Cantor’s handsome canvases – white of hearts, red of fruit, black of horses, and so on – show up Pettit’s oily board roundel – red of lips, red of tongue, red of OnlyFans. It, in turn, embarrasses the former. Sterling’s red nipple as the icing-topper does the same to flesh. Grellier, whose simple, faded pencils articulate past summer’s longing as both innocence and the eros, are granted too little stage time to save the assembled company from surplus, such as Kołdraszewska’s graphite cherry-poppers. 

Curating to a scheme (and a sales target) hinges on covert abstraction. This exhibition – not for the first time in the gallery’s short history – could have done better if the task were left to a single artist. 


notes and notices are short and curt exhibition reviews. Read more:

Jenkin van Zyl, Dance of the Sleepwalkers at Edel Assanti ★★★☆☆

Jenkin van Zyl

Dance of the Sleepwalkers

★★★☆☆

Ring 1 for “Grief”, and it’s flat 7 for “Garbage”.

Bruno Zhu, License to Live at Chisenhale ★☆☆☆☆

Bruno Zhu

License to Live

★☆☆☆☆

Faced with so little, one longs for an even emptier room.

Chronoplasticity at Raven Row ★☆☆☆☆

Chronoplasticity

★☆☆☆☆

This may have been a good joke but it’s just too exhausting to look at.

The Poplar Bestiary at Tondo Cosmic ★★★☆☆

Tamsin Morse, Kris Lock, Casper Scarth, et al.

The Poplar Bestiary

★★★☆☆

This menagerie comes with no humanly comprehensible challenge.

Jordan Derrien, Painted on a Wall of the Inn at Marlotte at Des Bains ★★☆☆☆

Jordan Derrien

Painted on a Wall of the Inn at Marlotte

★★☆☆☆

Derrien has his audience discussing the nature of paint drying out loud.

A Comparative Dialogue Act, Luxemburg pavilion in Venice ★★☆☆☆

Andrea Mancini, Every Island

A Comparative Dialogue Act

★★☆☆☆

Stage fright is real. Cowardice is another thing altogether.

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