Christopher Aque, Alexandre Khondji

★★★★★

On until 18 February 2024

Despite consisting of only three works, this exhibition is the gallery equivalent of a cryptic crossword. Aque’s photographic diptychs marry views of sea waves at the shore with candid street photographs of men. The colours have faded, as though in cheap holiday snapshots from the 1970s. But that clue is a decoy: the men wear this decade’s casual summer attire. The knee-to-breast close-ups which centre on the men’s groins invite closer inspection and thus lay a false trail of desire in the puzzler’s mind. More hints appear in a sideways glance because while one of the men comfortably sports a wedding ring, the other precariously fidgets with his.

Khondji’s flood barrier installation, the type of steel and rubber construction familiar from Venice, cuts the room in half. The scale and material of this object contrast so starkly with the street scenes and scents of Aque’s portraits that it cues an escape to the beach, paradoxically the origin of the peril, earlier overlooked by the clue-hunter. Finally, the eye finds the solution in the weight of the water and the destructive forces of sex. Aesthetic cognition or crossword puzzles only rarely bring such perverse pleasure.


notes and notices are short and curt exhibition reviews. Read more:

Robert Ryman, Line at David Zwirner ★★★☆☆

Robert Ryman

Line

Line

★★★☆☆

The artist’s signature becomes a distress call.

Avery Singer, Free Fall at Hauser & Wirth ★★☆☆☆

Avery Singer

Free Fall

Free Fall

★★☆☆☆

This show would be better without the baggage of the artist’s personal story and even better without the Twin Towers altogether.

Gina Fischli, Love Love Love at Soft Opening ★★★★☆

Gina Fischli

Love Love Love

Love Love Love

★★★★☆

What good it is to be best in show when the competition is lame, crooked, or outright fake?

Pamela Phatsimo Sunstrum, It Will End In Tears at Barbican Curve ★★☆☆☆

Pamela Phatsimo Sunstrum

It Will End In Tears

It Will End In Tears

★★☆☆☆

With the right lighting, this story could be a mid-century colonial classic.

Sin Wei Kin, Portraits at Soft Opening ★★☆☆☆

Sin Wei Kin

Portraits

Portraits

★★☆☆☆

This exhibition combines the most vulgar of all art school tropes: juvenile narcissism, NFT kitsch, and mindless referentialism.

Onyeka Igwe, history is a living weapon in yr hand at PEER ★★☆☆☆

Onyeka Igwe

history is a living weapon in yr hand

history is a living weapon in yr hand

★★☆☆☆

The Mavericks wanted a weapon, Igwe leaves them a toy.

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