Diego Marcon


On until 16 December 2023

Mr Mole is working from home. His mole children are home too, off sick from school in this wintry weather. Mrs Mole holds everything together. The fire is burning, cups of tea all round. Mole is tucked up in bed himself, a pile of paper on his lap. He has some stuff to catch up on, so he enlisted the help of his wife with copying out the Book of Numbers. That would have been fun but these numbers are 21, 19, 3, 9, and 18, and a whole lot more. In the thirty minutes of Marcon’s endlessly looped film, the Moles spend an infinity batting these figures from one page to another, interrupted only by the odd cough. Not even the mammals know why.

This is half cutesy, half absurd until one realises that little separates the animatronic moles from half of the world’s human population for whom rearranging numbers in a table is synonymous with survival. Idle work became indistinguishable from leisure, vegetative time-passing from family life. No wonder, then, that even the Moles seek meaning in the figures. The key, according to Marcon, is 566. But that number works only for him.

notes and notices are short and curt exhibition reviews. Read more:

things fall apart; the centre cannot hold at Tabula Rasa ★★★★☆

Elli Antoniou, Ali Glover, Richard Dean Hughes

things fall apart; the centre cannot hold


These works could bear witness to the birth of a star or the heat death of the universe. The curators don’t know which.

RM, A Story Backwards at Auto Italia ★★☆☆☆


A Story Backwards


Having forgotten what the ‘dramatic’ in art stands for, visual artists today too often mistake hacked theory for stage directions.

Sula Bermúdez-Silverman, Bad Luck Rock at Josh Lilley ★★☆☆☆

Sula Bermúdez-Silverman

Bad Luck Rock


This is a poor man’s version of history or a philistine collector’s absolution.

Stephen Willats, Time Tumbler at Victoria Miro

Stephen Willats

Time Tumbler


Willats orders fragments of time, matter, and space into data packets on one side of the flow chart and puts them to use on the other.

Xie Nanxing, Hello, Portrait! at Thomas Dane ★★★★☆

Xie Nanxing

Hello, Portrait!


Looking at Xie’s portraits is a little like wearing a virtual reality headset over only one eye.

Francesca DiMattio, Wedgwood at Pippy Houldsworth ★★★☆☆

Francesca DiMattio



In DiMattio’s giant ceramics kiln, everyday motifs like sneakers and knickers clash into the ornate Rococo stove and the Victorian China snuff box.