Chronoplasticity

★☆☆☆☆

Curated by Lars Bang Larsen
On until 8 December 2024

It would take a visitor unfamiliar with Raven Row’s fetish for the 1970s until the heat death of the universe to understand what this exhibition is for. It assembles dozens of supposedly anti-temporal works that barely share a time zone, let alone partisan concerns, folding them into the present as though that could do some magic. Falhström’s 50-year-old study of globalism thus sits next to a strand of ‘mental health’ works by Podolski and Daučíková. An unimpressive archive of transhumanism dug up by Knauf has little echo. Next, some solidarity banners stitched by Zapatera Negra and a climate change corner with bits of glass by Schmidt.

The exhibition guide calls all this “radical”: if time were a social construct, things might have well been different. Proving the subjunctive useless, however, the gallery’s time-capsule top-floor flat hosts an exhibition-in-exhibition called “How to Eat a Rolex”. It may have been a good joke but it’s just too exhausting to look at.

The curator seems unfatigued. The show’s time-blindness peaks in Agirregoikoa’s idiotic pencil animation which poses Swan Lake as a Nazi anthem. This is “how culture is turned into an ideology”. Good to know that’s settled.


notes and notices are short and curt exhibition reviews. Read more:

A Comparative Dialogue Act, Luxemburg pavilion in Venice ★★☆☆☆

Andrea Mancini, Every Island

A Comparative Dialogue Act

★★☆☆☆

Stage fright is real. Cowardice is another thing altogether.

A light here required a shadow at Maximillian William ★★★☆☆

Grant Falardeau, Rimantė Mikulovičiūtė, Benjamin Sasserson, Bu Shi, Dylan Williams

A light here required a shadow

★★★☆☆

Catch the wrong end of the spectrum and forever remain obscured.

Sibylle Ruppert, Frenzy of the Visible at Project Native Informant ★★★★☆

Sibylle Ruppert

Frenzy of the Visible

★★★★☆

This is the fodder of DeviantArt and the last year’s AI engines.

Pablo Bronstein, Cakehole at Herald Str ★★★☆☆

Pablo Bronstein

Cakehole

★★★☆☆

Bronstein falls into the late evening stupor of the cheese trolley, the oyster tray, and… the Mars bar.

Bruno Zhu, License to Live at Chisenhale ★☆☆☆☆

Bruno Zhu

License to Live

★☆☆☆☆

Faced with so little, one longs for an even emptier room.

Alia Farid, Elsewhere at Chisenhale ★★★☆☆

Alia Farid

Elsewhere

★★★☆☆

There is no answer in the work. Its cause and the object become enmeshed in a bland, exoticized mess. 

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