Asami Shoji et al.

Gestures of Resistance


On until 25 November 2023

In this run-of-the-mill commercial group show, the bijou paintings by Asami Shoji are as playful as they are haunting. In one, Cerberus stands at the shore of the Styx dreaming that he, too, could one day be free from his fate but nobody throws him a ball. In another, a reclining nude anxiously waits to meet her fate with a lion but Saint Jerome is nowhere in sight. There’s a scene caught in the wings of the ballet stage that could be the start of a gang rape, a death dance, or a tender embrace. The figures appear as though in x-ray and helplessly foretell their own ends.

The acute sepias, yellows, and greens rendered on gesso and clay surfaces hide ghostly narratives. Following these stories between the works of five other artists makes them even more intriguing. In one panel, a boy reaches out as if to probe Christ’s wounds. On second glance, the allegory is even richer and more confusing. On third, the tale starts over again.

notes and notices are short and curt exhibition reviews. Read more:

Co Westerik, Centenary at Sadie Coles HQ ★★★☆☆

Co Westerik



Westerik catches his figures in deep contemplation in front of the mirror, in the gynaecologist’s chair, or even mid-orgy.

Carole Ebtinger, Esther Gatón at South Parade ★★☆☆☆

Carole Ebtinger, Esther Gatón

phosphorescence of my local lore


Rot overpowered this subject and came for the object next. 

Christo, Early Works at Gagosian Open ★★★★☆


Early Works


To appreciate Christo’s early works against his wishes, one must forget his later stunts.

Poppy Jones, Solid Objects at Herald St ★★★★☆

Poppy Jones

Solid Objects


The lightness of the painter’s gesture cries out for a sledgehammer that would relieve the viewer of his doubt.

Trevor Yeung, Hong Kong in Venice ★★★☆☆

Trevor Yeung

Courtyard of Attachments


This fishbowl universe is easy sea comfort but ultimately no sushi.

Odoteres Ricardo de Ozias at David Zwirner ★★★☆☆

Odoteres Ricardo de Ozias


These images are perfectly charming even to a viewer possessed of a cold anthropological eye. The troubling part is in realising just how far ‘outside’ the ideas are.