Dominique Fung


On until 20 December 2023

In Fung’s pastoral paintings and ceramics, the peaceful garden pond is the site of despair. Men weep into water lilies. The damned are locked in an underwater dance. Ghosts go fishing and fish are apex predators. 

All this tries to be macabre and surreal like in Bosch or Miyazaki but is instead laughably twee, not least because this isn’t the only show on in London set at the bottom of a Victorian garden. Fung may be on-trend and her East Asian influences elevate the canvases a little but the clumsy sculptures send the whole show back to the garden centre.

notes and notices are short and curt exhibition reviews. Read more:

Ron Nagle, Conniption at Modern Art ★★★★★

Ron Nagle



Less is more, as the saying goes. Nagle’s porcelain and resin maquettes are the bare minimum.

Miranda Forrester, Arrival at Tiwani Contemporary ★★★☆☆

Miranda Forrester



Forrester’s project is timely when foundational concepts like ‘mother’ and their ‘as-though’ counterparts are readily confused.

Justin Caguiat, Dreampop at Modern Art ★★★★☆

Justin Caguiat



This is the sort of exhibition that makes a critic question the quality of their judgment.

Asami Shoji et al., Gestures of Resistance at A.I. ★★★★☆

Asami Shoji et al.

Gestures of Resistance


The figures appear as though in x-ray and helplessly foretell their own ends.

Tyler Eash, All the World’s Horses at Nicoletti ★★☆☆☆

Tyler Eash

All the World's Horses


The artist must choose which ground is best ceded.

Tamara Henderson, Green in the Grooves at Camden Art Centre ★★★★☆

Tamara Henderson

Green in the Grooves


The whole thing feels like a remake of Wind in the Willows directed by a garden gnome.