Dominique Fung

(Up)Rooted

★★☆☆☆

On until 20 December 2023

In Fung’s pastoral paintings and ceramics, the peaceful garden pond is the site of despair. Men weep into water lilies. The damned are locked in an underwater dance. Ghosts go fishing and fish are apex predators. 

All this tries to be macabre and surreal like in Bosch or Miyazaki but is instead laughably twee, not least because this isn’t the only show on in London set at the bottom of a Victorian garden. Fung may be on-trend and her East Asian influences elevate the canvases a little but the clumsy sculptures send the whole show back to the garden centre.


notes and notices are short and curt exhibition reviews. Read more:

Eddie Ruscha, Seeing Frequencies at Cedric Bardawil ★☆☆☆☆

Eddie Ruscha

Seeing Frequencies

★☆☆☆☆

But either the curator or the artist should have known better.

Nick Relph, Fils, ta vision! at Herald St ★☆☆☆☆

Nick Relph

Fils, ta vision!

★☆☆☆☆

There’s little for the eye to hang on and none of the punk culture of Relph’s earlier practice emerges from the works.

RM, A Story Backwards at Auto Italia ★★☆☆☆

RM

A Story Backwards

★★☆☆☆

Having forgotten what the ‘dramatic’ in art stands for, visual artists today too often mistake hacked theory for stage directions.

Armando D. Cosmos, Nothing New Under the Sun at Phillida Reid ★★★☆☆

Armando D. Cosmos

Nothing New Under the Sun

★★★☆☆

Cosmos wants to redefine STEM as the alliance of science, theosophy, engineering, and myth.

Anna Glantz, Lichens at Approach ★★★☆☆

Anna Glantz

Lichens

★★★☆☆

The clues that Glantz leaves on her surfaces are also traps. There are either too many or not quite enough to follow or fall into. 

Trevor Yeung, Hong Kong in Venice ★★★☆☆

Trevor Yeung

Courtyard of Attachments

★★★☆☆

This fishbowl universe is easy sea comfort but ultimately no sushi.

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