Ron Nagle


On until 6 January 2024

Less is more, as the saying goes. Nagle’s porcelain and resin maquettes, none larger than a shoe box, are the bare minimum. The sculptures gesture at fantasy worlds in the making. One has an erupting volcano, another the beach. Some are cross-sections of domains filled with gold ore and cumulus clouds. Each is a land promised.

But it’s the eighth day in this multiverse and these worlds are unfinished, as though assembled by a video game designer in a hurry. The volumes and shapes are only roughly to scale. The copy-and-paste textures are the materials’ default and merely trick the eye. Their setting, as though in an austere but high-end jewellery store, completes the illusion. It’s all good enough and as good as it gets. The only snag is that this bliss gives way to rage every Monday.

notes and notices are short and curt exhibition reviews. Read more:

Anna Glantz, Lichens at Approach ★★★☆☆

Anna Glantz



The clues that Glantz leaves on her surfaces are also traps. There are either too many or not quite enough to follow or fall into. 

Siobhan Liddell, Been and Gone at Hollybush Gardens ★★☆☆☆

Siobhan Liddell

Been and Gone


A twee aesthetics native to a grandmother’s mantlepiece collection of tourist souvenirs and devotional figurines.

Esteban Jefferson, May 25th, 2020 at Goldsmiths CCA ★★★☆☆

Esteban Jefferson

May 25th, 2020


This exhibition is a warning to would-be propagandists: trust art at your peril.

Talar Aghabshian, Solace of the Afterimage at Marfa’ at The Approach ★★☆☆☆

Talar Aghbashian

Solace of the Afterimage


The carpet dealer gallerist’s zeal reveals the work’s lamentable inadequacy. 

Nick Relph, Fils, ta vision! at Herald St ★☆☆☆☆

Nick Relph

Fils, ta vision!


There’s little for the eye to hang on and none of the punk culture of Relph’s earlier practice emerges from the works.

Meeson Jessica Pae, Secretions & Formations at Carl Kostyál ★★★★☆

Meeson Jessica Pae

Secretions & Formations


Oil paint can cause cancer.