Thanasis Deligiannis, Yannis Michalopoulos


Curated by Panos Giannikopoulos
On until 24 November 2024

It’s Sunday in the village. Every week, the Greek state broadcaster sends a camera crew to record the harvest festivals, crochet-making displays, and wedding rituals of a rural locality. The programme has been running for decades. The nation’s hamlets anxiously wait their turn in the spotlight, knowing that the camera can turn milk maids and grocers into celebrities. Each wants to showcase their custom, more ‘diverse’ than in a contemporary art curator’s wet dream.

But it is wet and dark in Xirómero. Arriving on location in this Western Greek region, the crew found the pavilion deserted. A sound and light show synced with the movement of agricultural equipment makes for an eerie trace of past revelries which still play out on screen installations, posters, and stacks of plastic garden chairs. The famous Greek hospitality has turned into dystopia, sustained only by tricks of technology.

This display is aesthetically rich and pleasurably hard to parse. Recent Greek pavilions lamented the nation’s financial and political woes, which were in part caused by the very ideologies that now try to ‘diversity’ the OG city-state. If the Hellenic Republic tried to find the ‘foreign’ in Wester’s civilisation’s cradle as per this Biennale’s dictum, it drew a blank and missed even itself.

notes and notices are short and curt exhibition reviews. Read more:

Trevor Yeung, Soft Ground, at Gasworks ★★☆☆☆

Trevor Yeung

Soft Ground


It’s stressful enough to fuck in the forest for fear of passers-by or the police; imagine having to also look out for curators.

Tamara Henderson, Green in the Grooves at Camden Art Centre ★★★★☆

Tamara Henderson

Green in the Grooves


The whole thing feels like a remake of Wind in the Willows directed by a garden gnome.

Xie Nanxing, Hello, Portrait! at Thomas Dane ★★★★☆

Xie Nanxing

Hello, Portrait!


Looking at Xie’s portraits is a little like wearing a virtual reality headset over only one eye.

Odoteres Ricardo de Ozias at David Zwirner ★★★☆☆

Odoteres Ricardo de Ozias


These images are perfectly charming even to a viewer possessed of a cold anthropological eye. The troubling part is in realising just how far ‘outside’ the ideas are.

Ron Nagle, Conniption at Modern Art ★★★★★

Ron Nagle



Less is more, as the saying goes. Nagle’s porcelain and resin maquettes are the bare minimum.

Tyler Eash, All the World’s Horses at Nicoletti ★★☆☆☆

Tyler Eash

All the World's Horses


The artist must choose which ground is best ceded.