Nikita Gale
Blur Ballad


On until 9 December 2023

‘Retinal’ was once an epithet for art that pleased the eye but didn’t reach the brain or the heart. Gale wants to reclaim it by making art about retinas themselves. The exhibition is a minimalistic sound-and-light show about a visit to the optician’s, only that Gale’s spectacles are literally four-eyes and you can’t read any of the letters on the charts however hard you try. 

Gale trained as an anthropologist, and this shows. The works try to speak to technology and its play with the human – or the other way around – but are stuck at that facile gadget and gimmick stage. Even though the project brings together a few unusual tricks, they are disjointed and leave little for the eye to linger on. Is ‘cerebral’ a compliment?

notes and notices are short and curt exhibition reviews. Read more:

Ksenia Pedan, Revision at Cell Project Space ★★★★☆

Ksenia Pedan



Pedan’s paintings would rather be anything but.

Justin Fitzpatrick, Ballotta at Seventeen ★★★★★

Justin Fitzpatrick



The reward for taking part in this experiment of life is ascension to the holy orders. 

Xie Nanxing, Hello, Portrait! at Thomas Dane ★★★★☆

Xie Nanxing

Hello, Portrait!


Looking at Xie’s portraits is a little like wearing a virtual reality headset over only one eye.

Nicole Eisenman, What Happened at Whitechapel Gallery ★★★☆☆

Nicole Eisenman

What Happened


There’s a Bosch hellscape dedicated to Trump and a whole “basket of deplorables” polishing their guns in a prepper cell.

Abel Auer, The shadow of tomorrow draws an ancient silhouette at Corvi-Mora ★★★☆☆

Abel Auer

The shadow of tomorrow draws an ancient silhouette


Auer is more interested in the fate of painting than humanity and thus stands apart from the army of zealots who make eco art today.

Vinca Petersen, Me, Us and Dogs at Edel Assanti ★★★☆☆

Vinca Petersen

Me, Us and Dogs


Close up, Petersen’s innocents today conjure ideas of redneck resistance. At scale, of state-marketed utopia. The middle ground is envy.