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Blur Ballad

★★☆☆☆

On until 9 December 2023

‘Retinal’ was once an epithet for art that pleased the eye but didn’t reach the brain or the heart. Gale wants to reclaim it by making art about retinas themselves. The exhibition is a minimalistic sound-and-light show about a visit to the optician’s, only that Gale’s spectacles are literally four-eyes and you can’t read any of the letters on the charts however hard you try. 

Gale trained as an anthropologist, and this shows. The works try to speak to technology and its play with the human – or the other way around – but are stuck at that facile gadget and gimmick stage. Even though the project brings together a few unusual tricks, they are disjointed and leave little for the eye to linger on. Is ‘cerebral’ a compliment?


notes and notices are short and curt exhibition reviews. Read more:

Roe Etheridge, Happy Birthday Louise Parker II at Gagosian ★★☆☆☆

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Happy Birthday Louise Parker II

★★☆☆☆

Etheridge’s method finds an extreme in this tiny pass-by display.

Anna Barriball at Frith Street Gallery ★★☆☆☆

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New Drawings

★★☆☆☆

The eyes may be the windows of the soul. To make an aphorism of the reverse needs more than shadow-play.

Xie Nanxing, Hello, Portrait! at Thomas Dane ★★★★☆

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Hello, Portrait!

★★★★☆

Looking at Xie’s portraits is a little like wearing a virtual reality headset over only one eye.

Zyad Menk: Scar Tissue at Ginny on Frederick ★★☆☆☆

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Scar Tissue

★★☆☆☆

History’s scrapheap with no interpretative powers.

Judith Dean at South Parade ★★★★☆

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New Builds / Bilds 2: did you mean peace?

★★★★☆

Holbein’s skulls impresses no one anymore.

The Stars Fell on Alabama at Edel Assanti ★★★☆☆

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The Stars Fell on Alabama: Southern Black Renaissance

★★★☆☆

The commercial imperative is understandable. The art historical intent, less clear.

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