Nikita Gale

Blur Ballad

★★☆☆☆

On until 9 December 2023

‘Retinal’ was once an epithet for art that pleased the eye but didn’t reach the brain or the heart. Gale wants to reclaim it by making art about retinas themselves. The exhibition is a minimalistic sound-and-light show about a visit to the optician’s, only that Gale’s spectacles are literally four-eyes and you can’t read any of the letters on the charts however hard you try. 

Gale trained as an anthropologist, and this shows. The works try to speak to technology and its play with the human – or the other way around – but are stuck at that facile gadget and gimmick stage. Even though the project brings together a few unusual tricks, they are disjointed and leave little for the eye to linger on. Is ‘cerebral’ a compliment?


notes and notices are short and curt exhibition reviews. Read more:

Rose Finn-Kelcey, Suit of Lights at Kate MacGarry ★★★★☆

Rose Finn-Kelcey

Suit of Lights

★★★★☆

Local-art-centre retro exposes the breakdown of the feminist art project.

Vlatka Horvat, The Croatian Pavilion in Venice ★★☆☆☆

Vlatka Horvat

By the Means at Hand

★★☆☆☆

This closed circulation project speaks to and agrees with only itself.

Entangled Pasts at The Royal Academy ★★☆☆☆

Entangled Pasts, 1768–now

★★☆☆☆

Who could have thought that these mantras would turn into rote?

Yuki Nakayama, After the Rain at A.I. Gallery ★☆☆☆☆

Yuki Nakayama

After the Rain

★☆☆☆☆

Can an installation be too site-specific?

Miranda Forrester, Arrival at Tiwani Contemporary ★★★☆☆

Miranda Forrester

Arrival

★★★☆☆

Forrester’s project is timely when foundational concepts like ‘mother’ and their ‘as-though’ counterparts are readily confused.

Amilia Graham, The Crust at Scatological Rites of All Nations ★★☆☆☆

Amilia Graham

The Crust

★★☆☆☆

Each show lasts no more than three hours, and it’s bring-your-own booze.

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