Nikita Gale

Blur Ballad

★★☆☆☆

On until 9 December 2023

‘Retinal’ was once an epithet for art that pleased the eye but didn’t reach the brain or the heart. Gale wants to reclaim it by making art about retinas themselves. The exhibition is a minimalistic sound-and-light show about a visit to the optician’s, only that Gale’s spectacles are literally four-eyes and you can’t read any of the letters on the charts however hard you try. 

Gale trained as an anthropologist, and this shows. The works try to speak to technology and its play with the human – or the other way around – but are stuck at that facile gadget and gimmick stage. Even though the project brings together a few unusual tricks, they are disjointed and leave little for the eye to linger on. Is ‘cerebral’ a compliment?


notes and notices are short and curt exhibition reviews. Read more:

Sin Wei Kin, Portraits at Soft Opening ★★☆☆☆

Sin Wei Kin

Portraits

★★☆☆☆

This exhibition combines the most vulgar of all art school tropes: juvenile narcissism, NFT kitsch, and mindless referentialism.

Ithaca at Herald St ★★★★☆

Christopher Aque, Alekos Fassianos, Luigi Ghirri, Jessie Stevenson, George Tourkovasilis

Ithaca

★★★★☆

This show drips with affectation that wouldn’t survive a minute tomorrow.

Karrabing Film Collective, Night Fishing with Ancestors at Goldsmiths CCA ★☆☆☆☆

Karrabing Film Collective

Night Fishing with Ancestors

★☆☆☆☆

Little separates this display from a human zoo complete with curators who occasionally kettle-prod the once noble savage into a spectacular rage.

Julia Maiuri, Yesterday & The End at Workplace ★☆☆☆☆

Julia Maiuri

Yesterday & The End

★☆☆☆☆

One can only imagine that some unconscious loathing of postmen motivated this project.

Alex Katz, Spring at Timothy Taylor ★★☆☆☆

Alex Katz

Spring

★★☆☆☆

The emperor’s clothes have moth holes.

Patricia Ferguson, Each Little Scar at FILET ★★★★☆

Patricia Ferguson

Each Little Scar

★★★★☆

No medium is better suited to anxiety and dread.

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