Ebun Sodipo

An Ominous Presence

★★☆☆☆

On until 26 April 2025

The success of Sudipo’s block colour and found image collages relies on hardly anyone looking at them closely. The shimmering reflections from their crumpled aluminium foil backgrounds dazzle the dimly lit gallery. The effect is seductive, certainly, even within the white cube’s commercial austerity.

But look, and it’s all on the surface. Sheets of translucent filters barely conceal borrowed, if not stolen motives. Each layer contributes even less to the history Sudipo is building than last year’s memes.

The dealer, the gallery cleaner, maybe even the artist had a chance to intervene in these objects in bright light. That they did not is, indeed, ominous.


notes and notices are short and curt exhibition reviews. Read more:

Karrabing Film Collective, Night Fishing with Ancestors at Goldsmiths CCA ★☆☆☆☆

Karrabing Film Collective

Night Fishing with Ancestors

★☆☆☆☆

Little separates this display from a human zoo complete with curators who occasionally kettle-prod the once noble savage into a spectacular rage.

Nicola Turner, Edward Bekkerman at Shtager&Shch ★★☆☆☆

Nicola Turner, Edward Bekkerman

The Song of Psyche: Corners of a Soul's Otherworlds

★★☆☆☆

Who opens a space in Fitzrovia only to fill it with such drivel?

Poppy Jones, Solid Objects at Herald St ★★★★☆

Poppy Jones

Solid Objects

★★★★☆

The lightness of the painter’s gesture cries out for a sledgehammer that would relieve the viewer of his doubt.

Jacob Dahlgren, When Anxieties Become Form at Workplace ★★☆☆☆

Jacob Dahlgren

When Anxieties Become Form

★★☆☆☆

The works are older than the artist’s last good idea.

Will Gabaldón, Flicker at Union Pacific ★★★☆☆

Will Gabaldón

Flicker

★★★☆☆

Gabaldón reinvents the pastoral for the Instagram generation.

Oisín Byrne, Not Marble at Amanda Wilkinson ★★☆☆☆

Oisín Byrne

Not Marble

★★☆☆☆

Byrne has a type. Or rather, he’ll paint you into one.

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