Ebun Sodipo

An Ominous Presence

★★☆☆☆

On until 26 April 2025

The success of Sudipo’s block colour and found image collages relies on hardly anyone looking at them closely. The shimmering reflections from their crumpled aluminium foil backgrounds dazzle the dimly lit gallery. The effect is seductive, certainly, even within the white cube’s commercial austerity.

But look, and it’s all on the surface. Sheets of translucent filters barely conceal borrowed, if not stolen motives. Each layer contributes even less to the history Sudipo is building than last year’s memes.

The dealer, the gallery cleaner, maybe even the artist had a chance to intervene in these objects in bright light. That they did not is, indeed, ominous.


notes and notices are short and curt exhibition reviews. Read more:

Nikita Gale, Blur Ballad at Emalin ★★☆☆☆

Nikita Gale

Blur Ballad

★★☆☆☆

Even though the show brings together a few unusual tricks, they are disjointed and leave little for the eye to linger on.

Will Gabaldón, Flicker at Union Pacific ★★★☆☆

Will Gabaldón

Flicker

★★★☆☆

Gabaldón reinvents the pastoral for the Instagram generation.

Amilia Graham, The Crust at Scatological Rites of All Nations ★★☆☆☆

Amilia Graham

The Crust

★★☆☆☆

Each show lasts no more than three hours, and it’s bring-your-own booze.

Richard Hunt, Metamorphosis at White Cube ★★★★★

Richard Hunt

Metamorphosis

★★★★★

A dictionary for self-determination written in phrases as they were being invented.

Jordan Derrien, Painted on a Wall of the Inn at Marlotte at Des Bains ★★☆☆☆

Jordan Derrien

Painted on a Wall of the Inn at Marlotte

★★☆☆☆

Derrien has his audience discussing the nature of paint drying out loud.

Karrabing Film Collective, Night Fishing with Ancestors at Goldsmiths CCA ★☆☆☆☆

Karrabing Film Collective

Night Fishing with Ancestors

★☆☆☆☆

Little separates this display from a human zoo complete with curators who occasionally kettle-prod the once noble savage into a spectacular rage.

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