Francesca DiMattio


On until 23 December 2023

If more were more, DiMattio gets close to the limit. In her giant ceramics kiln, everyday motifs like sneakers and knickers clash into the ornate Rococo stove and the Victorian China snuff box. Bucolic scenes adorn wedding cakes, teapots and cake tins turn into totems. Cutesy flowers and seashells spread over floors, walls, and ceilings to near asphyxiation.

No wonder that each item leaves the oven crooked, as though assembled in a distorting brass mirror. This is the artist’s joke which she applies indiscriminately to the Greek orgy (literally) in one corner of the gallery and to the Amazon warehouse (yes) in the next. When she runs out of life’s surfaces to glaze, she lands safely in the one-liner of the Wedgwood mail-order collection.

This opulence has no reason other than DiMattio’s craft which, granted, isn’t nothing. But the elaborately decorative environment of wallpapers and floor mosaics into which the sculptures disappear is a gallery’s reminder that DiMattio’s commodity is available to order in any shape, colour, or size. Add mistletoe and tinsel and the lot would be at home in a department store’s Christmas display.

notes and notices are short and curt exhibition reviews. Read more:

Ithaca at Herald St ★★★★☆

Christopher Aque, Alekos Fassianos, Luigi Ghirri, Jessie Stevenson, George Tourkovasilis



This show drips with affectation that wouldn’t survive a minute tomorrow.

Pope.L, Hospital at South London Gallery ★★★☆☆




This project lands in the joke section of Animal Farm and not as a prophecy of the Jan 6th insurrection.

Josiane M.H. Pozi, Through My Fault at Carlos/Ishikawa ★★★☆☆

Josiane M.H. Pozi

Through My Fault


There’s a group, but they’re as indistinct as the faces of Jesus that regularly appear to people on slices of toast.

Anna Glantz, Lichens at Approach ★★★☆☆

Anna Glantz



The clues that Glantz leaves on her surfaces are also traps. There are either too many or not quite enough to follow or fall into. 

RM, A Story Backwards at Auto Italia ★★☆☆☆


A Story Backwards


Having forgotten what the ‘dramatic’ in art stands for, visual artists today too often mistake hacked theory for stage directions.

Carole Ebtinger, Esther Gatón at South Parade ★★☆☆☆

Carole Ebtinger, Esther Gatón

phosphorescence of my local lore


Rot overpowered this subject and came for the object next.