HelenA Pritchard

The Homeless Mind

★★★☆☆

On until 13 April 2024

Pritchard’s practice, once happily confined to the surface of a ready-made canvas, has found a new scale in this exhibition. The gallery’s basement sinks under the weight of three concrete assemblies. Their twisted shapes, textures, and menacing dimensions would make a great backdrop for a reality TV programme on Brutalist architecture and earthquakes. 

Death by debris falling from building façades is an artist’s occupational hazard. A couple of collages that accompany Pritchard’s future rubble suggest that collapse was not far from the painter’s mind.

It is a matter of course that one end puts another in perspective. By unavoidable contrast, Pritchard’s smaller maquette sculptures lack either the menace or the lightness commanded by her concrete extrusions. Their number, excessive given the showroom’s subterranean lack of a skyline, leaves the exhibition unbalanced and lacking a guiding principle.


notes and notices are short and curt exhibition reviews. Read more:

Alvaro Barrington, Grandma’s Land at Sadie Coles ★★★☆☆

Alvaro Barrington

Grandma’s Land

★★★☆☆

The party slumps into a half-voiced political complaint and never recovers. This is what happens when instead of living culture, we ‘celebrate’ it.

Choon Mi Kim, ACID—FREEEE at Ginny on Frederick ★☆☆☆☆

Choon Mi Kim

ACID—FREEEE

★☆☆☆☆

Some forms of abstraction simply scream ‘my kid could have made that’.

Haegue Yang, Leap Year at Hayward Gallery ★★☆☆☆

Haegue Yang

Leap Year

★★☆☆☆

The funfair is shuttered, long live the fair.

Chronoplasticity at Raven Row ★☆☆☆☆

Chronoplasticity

★☆☆☆☆

This may have been a good joke but it’s just too exhausting to look at.

Alex Katz, Spring at Timothy Taylor ★★☆☆☆

Alex Katz

Spring

★★☆☆☆

The emperor’s clothes have moth holes.

Pope.L, Hospital at South London Gallery ★★★☆☆

Pope.L

Hospital

★★★☆☆

This project lands in the joke section of Animal Farm and not as a prophecy of the Jan 6th insurrection.

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