Gray Wielebinski
The Red Sun is High, the Blue Low


On until 23 December 2023

On my first visit to this exhibition, I thought I’d misunderstood the ICA’s new opening times and missed half of the show. Returning, I found nothing more: a largely vacant space with some seats set in a circle, a photo wallpaper with multiple sunsets, and an electronic scoreboard like at a basketball court. In another room loosely styled as a military bunker and only dimly lit, I played with an unresponsive touchscreen to unknowingly change the score outside. Underwhelmed and unaffected, I moved to the gallery bar.

Reading the exhibition’s pamphlet in search of something to chew on, I found it full of vague observations and dubious claims. The title came from some Cold War science fiction. Time’s arrow is broken. There’s a world outside. We’re living in the end times. Some things mean other things.

This illuminated nothing. I knew that it was possible to understand art and life less after seeing an exhibition. I didn’t, however, imagine that experiencing Wielebinski’s work twice would only compound such damage.

notes and notices are short and curt exhibition reviews. Read more:

Odoteres Ricardo de Ozias at David Zwirner ★★★☆☆

Odoteres Ricardo de Ozias


These images are perfectly charming even to a viewer possessed of a cold anthropological eye. The troubling part is in realising just how far ‘outside’ the ideas are.

Gina Fischli, Love Love Love at Soft Opening ★★★★☆

Gina Fischli

Love Love Love


What good it is to be best in show when the competition is lame, crooked, or outright fake?

Michael Simpson at Modern Art ★★★★☆

Michael Simpson


In this meditation of surface disguised as a study of objects, neither is a truer likeness of the events.

Robert Ryman, Line at David Zwirner ★★★☆☆

Robert Ryman



The artist’s signature becomes a distress call.

Ron Nagle, Conniption at Modern Art ★★★★★

Ron Nagle



Less is more, as the saying goes. Nagle’s porcelain and resin maquettes are the bare minimum.

RM, A Story Backwards at Auto Italia ★★☆☆☆


A Story Backwards


Having forgotten what the ‘dramatic’ in art stands for, visual artists today too often mistake hacked theory for stage directions.