This exhibition combines the most vulgar of all art school tropes: juvenile narcissism, NFT kitsch, and mindless referentialism. In five video still portraits, Sin takes the place of art history’s celebrated subjects including Caravaggio’s Narcissus and Man Ray’s Kiki. The characters, distinguished more by their plastic wigs and colourful make-up than their presence, project sombre pensiveness.

But their demand for attention is tiresome because these drag figures are all artifice. Sin, dressed up as Frida Kahlo or Mona Lisa is only formally distinct from the TikTok girls who digitally adorn their faces for likes. In this pictorial metaverse where substance is exchanged for crypto, there is no time for the human and no space for art.