A woman’s self-portrait in sickly lime green and yellow acrylic spread so thinly that it looks like a felt-tip doodle. Tilson sports a cutesy beret and a checked trench coat. She turns her absent gaze out of the frame. The pattern of her coat matches the background like in Jacques Demy’s Umbrellas of Cherbourg, only less Technicolor. The next painting is the same, just with slightly different (sickly) colours. And the next one too. Tilson is in all of them. And in every one, she’s lost.

This line may perfectly ascribe Catherine Deneuve’s 2023 successor. But if The Umbrellas made the actress an instant star, Tilson’s styled self-portraits are an affectation that will take many years of practice to pay off.