Hannah Tilson

Soft Cut

★★☆☆☆

On until 21 October 2023

A woman’s self-portrait in sickly lime green and yellow acrylic spread so thinly that it looks like a felt-tip doodle. Tilson sports a cutesy beret and a checked trench coat. She turns her absent gaze out of the frame. The pattern of her coat matches the background like in Jacques Demy’s Umbrellas of Cherbourg, only less Technicolor. The next painting is the same, just with slightly different (sickly) colours. And the next one too. Tilson is in all of them. And in every one, she’s lost.

This line may perfectly ascribe Catherine Deneuve’s 2023 successor. But if The Umbrellas made the actress an instant star, Tilson’s styled self-portraits are an affectation that will take many years of practice to pay off.


notes and notices are short and curt exhibition reviews. Read more:

Nicola Singh: Sincere Seeker at Cubitt ★★☆☆☆

Nicola Singh

Sincere Seeker

★★☆☆☆

What would it take for art to look like something, anything once more?

Hany Armanious, Circle Square at Phillipa Reid ★★☆☆☆

Hany Armanious

Circle Square

★★☆☆☆

The lightness of being can turn unbearable.

Yoko Ono at Tate ★★★☆☆

Yoko Ono

Music of the Mind

★★★☆☆

This show will sell tickets. But it won’t change the weather.

Medusa at Union Gallery ★★★☆☆

Ada Bond, Rebecca Davy, Karen Densha, Sam Owen Hull, Hilary Jack, Rachel Goodyear, Evita Ziemele, et al.

Medusa

★★★☆☆

Interpreting a tale this grotesque, ugly, and venomous will take thousands of years

Șerban Savu, The Romanian Pavilion in Venice ★★★★☆

Șerban Savu

What Work Is

★★★★☆

This Elysium is part panel house block, half Roman ruin

Co Westerik, Centenary at Sadie Coles HQ ★★★☆☆

Co Westerik

Centenary

★★★★☆

Westerik catches his figures in deep contemplation in front of the mirror, in the gynaecologist’s chair, or even mid-orgy.

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