I'm so gay for you

★★☆☆☆

Curated by Sophie Williamson
On until 15 March 2025

Valentine’s Day is good to launch a love-in, but this thirteen-artist “celebration of queerness” is no orgy. Judging by the works selected – seemingly at random – from a related glossy magazine, to be gay is to remain only half-aware of having a body lest it prompts the realisation that so does everyone else.

The fear of sex haunts this project, if not the culture it stems from. Murky images, like Rosie Thomas’ silvery snapshots of street carnivals gesture at sensuousness but they are too hard to read, and so without good reason. Gosia Kołdraszewska thinks she’s a sex rebel, but outright censors her erotic scene with a a cutesy metaphor that saves her subjects the proverbial bother. Paul Arthur’s raunchy 70’s pin-up once came close to a climax. It now seeks the ending on PornHub.

Does anyone fuck anymore? Or make art? At least Lucy Deveral has the nerve to make an old-school lesbian nude, and that alone breaks the show’s mantra of “joy”. All that’s left is to giggle post-coitally, then dive into Olivia Sterling’s body part patisserie.


notes and notices are short and curt exhibition reviews. Read more:

Phung-Tien Pham, doesn’t work at Project Native Informant ★★☆☆☆

Phung-Tien Pham

doesn't work

★★☆☆☆

Fad aesthetics for fad ideas.

The Stars Fell on Alabama at Edel Assanti ★★★☆☆

Mary L. Bennett, Richard Dial, Thornton Dial, Lonnie Holley, Ronald Lockett, Joe Minter, Mose Tolliver

The Stars Fell on Alabama: Southern Black Renaissance

★★★☆☆

The commercial imperative is understandable. The art historical intent, less clear.

Liliane Lijn: Seeds of Tomorrow at Sylvia Kouvali ★★★☆☆

Liliane Lijn

Seeds of Tomorrow

★★★☆☆

Are these dreams, floral fields, or psychedelic visions?

things fall apart; the centre cannot hold at Tabula Rasa ★★★★☆

Elli Antoniou, Ali Glover, Richard Dean Hughes

things fall apart; the centre cannot hold

★★★★☆

These works could bear witness to the birth of a star or the heat death of the universe. The curators don’t know which.

Sophie Huckfield: Lady Ludd at Outpost, Norwich ★★☆☆☆

Sophie Huckfield

Lady Ludd

★★☆☆☆

Huckfield crowbars made-up heroes into past revolutions to pose as the saviour in the next one.

Jennifer Bartlett, In the House at Pippy Houldsworth ★★★★☆

Jennifer Bartlett

In the House

★★★★☆

“Sky”, “roof”, “31”, a mantra turns into paint.

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