I'm so gay for you

★★☆☆☆

Curated by Sophie Williamson
On until 15 March 2025

Valentine’s Day is good to launch a love-in, but this thirteen-artist “celebration of queerness” is no orgy. Judging by the works selected – seemingly at random – from a related glossy magazine, to be gay is to remain only half-aware of having a body lest it prompts the realisation that so does everyone else.

The fear of sex haunts this project, if not the culture it stems from. Murky images, like Rosie Thomas’ silvery snapshots of street carnivals gesture at sensuousness but they are too hard to read, and so without good reason. Gosia Kołdraszewska thinks she’s a sex rebel, but outright censors her erotic scene with a a cutesy metaphor that saves her subjects the proverbial bother. Paul Arthur’s raunchy 70’s pin-up once came close to a climax. It now seeks the ending on PornHub.

Does anyone fuck anymore? Or make art? At least Lucy Deveral has the nerve to make an old-school lesbian nude, and that alone breaks the show’s mantra of “joy”. All that’s left is to giggle post-coitally, then dive into Olivia Sterling’s body part patisserie.


notes and notices are short and curt exhibition reviews. Read more:

Wilhelm Sasnal at Sadie Coles ★★★☆☆

Wilhelm Sasnal

★★★☆☆

Only in flights of anger does this vision come close to becoming believable.

Bruno Zhu, License to Live at Chisenhale ★☆☆☆☆

Bruno Zhu

License to Live

★☆☆☆☆

Faced with so little, one longs for an even emptier room.

Cherry Bomb! at Miłość

Kate Burling, Anna Choutova, Douglas Cantor, Nettle Grellier, Gosia Kołdraszewska, Lydia Pettit, Olivia Sterling, Sophie Vallance Cantor

Cherry Bomb!

★★☆☆☆

An exhibition about… cherries confuses Chekhov with Nabokov.

Amanda Wall, Femcel at Almine Rech ★★★☆☆

Amanda Wall

Femcel

★★★☆☆

There’s no dignity in paint when the arc of art history tends to “show hole”.

C. Rose Smith, Talking Back to Power at Autograph ★★☆☆☆

C. Rose Smith

Talking Back to Power

★★☆☆☆

There’s no conversation, no challenge, no win.

Alvaro Barrington, Grandma’s Land at Sadie Coles ★★★☆☆

Alvaro Barrington

Grandma’s Land

★★★☆☆

The party slumps into a half-voiced political complaint and never recovers. This is what happens when instead of living culture, we ‘celebrate’ it.

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