I'm so gay for you

★★☆☆☆

Curated by Sophie Williamson
On until 15 March 2025

Valentine’s Day is good to launch a love-in, but this thirteen-artist “celebration of queerness” is no orgy. Judging by the works selected – seemingly at random – from a related glossy magazine, to be gay is to remain only half-aware of having a body lest it prompts the realisation that so does everyone else.

The fear of sex haunts this project, if not the culture it stems from. Murky images, like Rosie Thomas’ silvery snapshots of street carnivals gesture at sensuousness but they are too hard to read, and so without good reason. Gosia Kołdraszewska thinks she’s a sex rebel, but outright censors her erotic scene with a a cutesy metaphor that saves her subjects the proverbial bother. Paul Arthur’s raunchy 70’s pin-up once came close to a climax. It now seeks the ending on PornHub.

Does anyone fuck anymore? Or make art? At least Lucy Deveral has the nerve to make an old-school lesbian nude, and that alone breaks the show’s mantra of “joy”. All that’s left is to giggle post-coitally, then dive into Olivia Sterling’s body part patisserie.


notes and notices are short and curt exhibition reviews. Read more:

Dominique Fung, (Up)Rooted, at Massimo de Carlo ★★☆☆☆

Dominique Fung

(Up)Rooted

★★☆☆☆

All this tries to be macabre and surreal like in Bosch or Miyazaki but is instead laughably twee.

RE/SISTERS at Barbican ★★☆☆☆

RE/SISTERS

★★☆☆☆

Too many deadpan landscape photographs turn intrigue into fatigue and into paralysis.

Cherry Bomb! at Miłość

Kate Burling, Anna Choutova, Douglas Cantor, Nettle Grellier, Gosia Kołdraszewska, Lydia Pettit, Olivia Sterling, Sophie Vallance Cantor

Cherry Bomb!

★★☆☆☆

An exhibition about… cherries confuses Chekhov with Nabokov.

Klara Lidén, Square Moon at Sadie Coles ★★☆☆☆

Klara Lidén

Square Moon

★★☆☆☆

This isn’t Times Square in a blackout.

The last train after the last train at Public ★★★☆☆

The last train after the last train

★★★☆☆

The failed magic tricks in Lyndon Barrois Jr.’s canvases would hang in the final scene of Chinese Roulette in which everyone turns against everyone.

Marina Abramović, 7 Deaths of Maria Callas ★☆☆☆☆

Marina Abramović

7 Deaths of Maria Callas

★☆☆☆☆

Abramović wants to destroy all performance and all women until she holds the monopoly over stage death.

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