I'm so gay for you

★★☆☆☆

Curated by Sophie Williamson
On until 15 March 2025

Valentine’s Day is good to launch a love-in, but this thirteen-artist “celebration of queerness” is no orgy. Judging by the works selected – seemingly at random – from a related glossy magazine, to be gay is to remain only half-aware of having a body lest it prompts the realisation that so does everyone else.

The fear of sex haunts this project, if not the culture it stems from. Murky images, like Rosie Thomas’ silvery snapshots of street carnivals gesture at sensuousness but they are too hard to read, and so without good reason. Gosia Kołdraszewska thinks she’s a sex rebel, but outright censors her erotic scene with a a cutesy metaphor that saves her subjects the proverbial bother. Paul Arthur’s raunchy 70’s pin-up once came close to a climax. It now seeks the ending on PornHub.

Does anyone fuck anymore? Or make art? At least Lucy Deveral has the nerve to make an old-school lesbian nude, and that alone breaks the show’s mantra of “joy”. All that’s left is to giggle post-coitally, then dive into Olivia Sterling’s body part patisserie.


notes and notices are short and curt exhibition reviews. Read more:

Josiane M.H. Pozi, Through My Fault at Carlos/Ishikawa ★★★☆☆

Josiane M.H. Pozi

Through My Fault

★★★☆☆

There’s a group, but they’re as indistinct as the faces of Jesus that regularly appear to people on slices of toast.

Aleksandar Denić, The Serbian pavilion in Venice ★★★☆☆

Aleksandar Denić

Exposition Coloniale

★★★☆☆

Denić took the Biennale’s theme literally, as though he was not in on the art world joke.

Siobhan Liddell, Been and Gone at Hollybush Gardens ★★☆☆☆

Siobhan Liddell

Been and Gone

★★☆☆☆

A twee aesthetics native to a grandmother’s mantlepiece collection of tourist souvenirs and devotional figurines.

Gray Wielebinski, The Red Sun is High, the Blue Low at ICA ★☆☆☆☆

Gray Wielebinski

The Red Sun is High, the Blue Low

★☆☆☆☆

I knew that it was possible to understand art and life less after seeing an exhibition. I didn’t, however, imagine that experiencing Wielebinski’s work twice would only compound such damage.

RE/SISTERS at Barbican ★★☆☆☆

RE/SISTERS

★★☆☆☆

Too many deadpan landscape photographs turn intrigue into fatigue and into paralysis.

Sula Bermúdez-Silverman, Bad Luck Rock at Josh Lilley ★★☆☆☆

Sula Bermúdez-Silverman

Bad Luck Rock

★★☆☆☆

This is a poor man’s version of history or a philistine collector’s absolution.

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