I'm so gay for you

★★☆☆☆

Curated by Sophie Williamson
On until 15 March 2025

Valentine’s Day is good to launch a love-in, but this thirteen-artist “celebration of queerness” is no orgy. Judging by the works selected – seemingly at random – from a related glossy magazine, to be gay is to remain only half-aware of having a body lest it prompts the realisation that so does everyone else.

The fear of sex haunts this project, if not the culture it stems from. Murky images, like Rosie Thomas’ silvery snapshots of street carnivals gesture at sensuousness but they are too hard to read, and so without good reason. Gosia Kołdraszewska thinks she’s a sex rebel, but outright censors her erotic scene with a a cutesy metaphor that saves her subjects the proverbial bother. Paul Arthur’s raunchy 70’s pin-up once came close to a climax. It now seeks the ending on PornHub.

Does anyone fuck anymore? Or make art? At least Lucy Deveral has the nerve to make an old-school lesbian nude, and that alone breaks the show’s mantra of “joy”. All that’s left is to giggle post-coitally, then dive into Olivia Sterling’s body part patisserie.


notes and notices are short and curt exhibition reviews. Read more:

Stephen Willats, Time Tumbler at Victoria Miro

Stephen Willats

Time Tumbler

★★★★☆

Willats orders fragments of time, matter, and space into data packets on one side of the flow chart and puts them to use on the other.

Dayanita Singh at Frith Street Gallery ★★☆☆☆

Dayanita Singh

★★☆☆☆

Singh’s pictures cold have been made by at least three other Frith Street artists.

RE/SISTERS at Barbican ★★☆☆☆

RE/SISTERS

★★☆☆☆

Too many deadpan landscape photographs turn intrigue into fatigue and into paralysis.

Joshua Leon, The Missing O and E at Chisenhale Gallery ★☆☆☆☆

Joshua Leon

The Missing O and E

★☆☆☆☆

This embarrassing display indicts today’s second-fiddlers with narcissism and egomania.

Vinca Petersen, Me, Us and Dogs at Edel Assanti ★★★☆☆

Vinca Petersen

Me, Us and Dogs

★★★☆☆

Close up, Petersen’s innocents today conjure ideas of redneck resistance. At scale, of state-marketed utopia. The middle ground is envy.

Alexandre Canonico, Still at Ab Anbar ★★★☆☆

Alexandre Canonico

Still

★★★☆☆

Conanico’s slight structures look like they could take flight at any moment.

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