I'm so gay for you

★★☆☆☆

Curated by Sophie Williamson
On until 15 March 2025

Valentine’s Day is good to launch a love-in, but this thirteen-artist “celebration of queerness” is no orgy. Judging by the works selected – seemingly at random – from a related glossy magazine, to be gay is to remain only half-aware of having a body lest it prompts the realisation that so does everyone else.

The fear of sex haunts this project, if not the culture it stems from. Murky images, like Rosie Thomas’ silvery snapshots of street carnivals gesture at sensuousness but they are too hard to read, and so without good reason. Gosia Kołdraszewska thinks she’s a sex rebel, but outright censors her erotic scene with a a cutesy metaphor that saves her subjects the proverbial bother. Paul Arthur’s raunchy 70’s pin-up once came close to a climax. It now seeks the ending on PornHub.

Does anyone fuck anymore? Or make art? At least Lucy Deveral has the nerve to make an old-school lesbian nude, and that alone breaks the show’s mantra of “joy”. All that’s left is to giggle post-coitally, then dive into Olivia Sterling’s body part patisserie.


notes and notices are short and curt exhibition reviews. Read more:

Michael Simpson at Modern Art ★★★★☆

Michael Simpson

★★★★☆

In this meditation of surface disguised as a study of objects, neither is a truer likeness of the events.

Tacita Dean: Black, Green, Green and White at Frith Street Gallery ★☆☆☆☆

Tacita Dean

Black, Green, Green and White

★☆☆☆☆

Film studies lost to mobile video; Dean phones it in.

Diego Marcon, Dolle at Sadie Coles HQ ★★★☆☆

Diego Marcon

Dolle

★★★☆☆

Idle work became indistinguishable from leisure, vegetative time-passing from family life.

What Is It Like? at Arebyte ★★☆☆☆

Anna Bunting-Branch, Choy Ka Fai, Damara Inglês, Katarzyna Krakowiak, Lawrence Lek, Kira Xonorika

What Is It Like?

★★☆☆☆

What does it feel like for an intelligence to be artificial?

Francesca DiMattio, Wedgwood at Pippy Houldsworth ★★★☆☆

Francesca DiMattio

Wedgwood

★★★☆☆

In DiMattio’s giant ceramics kiln, everyday motifs like sneakers and knickers clash into the ornate Rococo stove and the Victorian China snuff box.

Helen Johnson, Opening at Pilar Corrias ★☆☆☆☆

Helen Johnson

Opening

★☆☆☆☆

This is the work of a mind that, having needlessly spent years in therapy, became hooked on ennui or of an artist who wasted time misreading Lacan.

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