I'm so gay for you

★★☆☆☆

Curated by Sophie Williamson
On until 15 March 2025

Valentine’s Day is good to launch a love-in, but this thirteen-artist “celebration of queerness” is no orgy. Judging by the works selected – seemingly at random – from a related glossy magazine, to be gay is to remain only half-aware of having a body lest it prompts the realisation that so does everyone else.

The fear of sex haunts this project, if not the culture it stems from. Murky images, like Rosie Thomas’ silvery snapshots of street carnivals gesture at sensuousness but they are too hard to read, and so without good reason. Gosia Kołdraszewska thinks she’s a sex rebel, but outright censors her erotic scene with a a cutesy metaphor that saves her subjects the proverbial bother. Paul Arthur’s raunchy 70’s pin-up once came close to a climax. It now seeks the ending on PornHub.

Does anyone fuck anymore? Or make art? At least Lucy Deveral has the nerve to make an old-school lesbian nude, and that alone breaks the show’s mantra of “joy”. All that’s left is to giggle post-coitally, then dive into Olivia Sterling’s body part patisserie.


notes and notices are short and curt exhibition reviews. Read more:

Christopher Wool at Gagosian ★★★☆☆

Christopher Wool

★★★☆☆

No room for the eye, no way to follow the line.

Place Revisited at Modern Art ★★★★☆

Richard Aldrich, Prunella Clough, Masanori Tomita, Anh Trần, Terry Winters

Place Revisited

★★★★☆

One suspects the gallery of insider trading.

Onyeka Igwe, history is a living weapon in yr hand at PEER ★★☆☆☆

Onyeka Igwe

history is a living weapon in yr hand

★★☆☆☆

The Mavericks wanted a weapon, Igwe leaves them a toy.

Cynthia Hawkins: Maps Necessary for a Walk in 4D: Chapter 4 at Hollybush Gardens

Cynthia Hawkins

Maps Necessary for a Walk in 4D: Chapter 4

★★★☆☆

Hawkins’s paint reveals that her studio was no crime scene.

Yoko Ono at Tate ★★★☆☆

Yoko Ono

Music of the Mind

★★★☆☆

This show will sell tickets. But it won’t change the weather.

Saccharine Symbols at Rose Easton ★★★☆☆

Marisa Krangwiwat Holmes, Shamiran Istifan, Tasneem Sarkez

Saccharine Symbols

★★★☆☆

Meaning parts with the image in this exhibition, never to return. Post-structuralism triumphs.

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