I'm so gay for you

★★☆☆☆

Curated by Sophie Williamson
On until 15 March 2025

Valentine’s Day is good to launch a love-in, but this thirteen-artist “celebration of queerness” is no orgy. Judging by the works selected – seemingly at random – from a related glossy magazine, to be gay is to remain only half-aware of having a body lest it prompts the realisation that so does everyone else.

The fear of sex haunts this project, if not the culture it stems from. Murky images, like Rosie Thomas’ silvery snapshots of street carnivals gesture at sensuousness but they are too hard to read, and so without good reason. Gosia Kołdraszewska thinks she’s a sex rebel, but outright censors her erotic scene with a a cutesy metaphor that saves her subjects the proverbial bother. Paul Arthur’s raunchy 70’s pin-up once came close to a climax. It now seeks the ending on PornHub.

Does anyone fuck anymore? Or make art? At least Lucy Deveral has the nerve to make an old-school lesbian nude, and that alone breaks the show’s mantra of “joy”. All that’s left is to giggle post-coitally, then dive into Olivia Sterling’s body part patisserie.


notes and notices are short and curt exhibition reviews. Read more:

Alvaro Barrington, Grandma’s Land at Sadie Coles ★★★☆☆

Alvaro Barrington

Grandma’s Land

★★★☆☆

The party slumps into a half-voiced political complaint and never recovers. This is what happens when instead of living culture, we ‘celebrate’ it.

Sosa Joseph, Pennungal at David Zwirner ★★★★★

Sosa Joseph

Pennungal: Lives of women and girls

★★★★★

The night, finally, recognises despair and witnesses infanticide.”

Joanne Burke, Oes with works like Esses at Soft Opening ★★★★☆

Joanne Burke

Oes with works like Esses

★★★★☆

Hot metal is that, like water, it spills away from the mould.

Place Revisited at Modern Art ★★★★☆

Richard Aldrich, Prunella Clough, Masanori Tomita, Anh Trần, Terry Winters

Place Revisited

★★★★☆

One suspects the gallery of insider trading.

Ron Nagle, Conniption at Modern Art ★★★★★

Ron Nagle

Conniption

★★★★★

Less is more, as the saying goes. Nagle’s porcelain and resin maquettes are the bare minimum.

Liam Gillick, The Sleepwalkers at Maureen Paley ★★★☆☆

Liam Gillick

The Sleepwalkers

★★★☆☆

Gillick’s practice lacks obviously consistent character, save for it is sparseness of means and the ungraspability of its referents.

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