I'm so gay for you

★★☆☆☆

Curated by Sophie Williamson
On until 15 March 2025

Valentine’s Day is good to launch a love-in, but this thirteen-artist “celebration of queerness” is no orgy. Judging by the works selected – seemingly at random – from a related glossy magazine, to be gay is to remain only half-aware of having a body lest it prompts the realisation that so does everyone else.

The fear of sex haunts this project, if not the culture it stems from. Murky images, like Rosie Thomas’ silvery snapshots of street carnivals gesture at sensuousness but they are too hard to read, and so without good reason. Gosia Kołdraszewska thinks she’s a sex rebel, but outright censors her erotic scene with a a cutesy metaphor that saves her subjects the proverbial bother. Paul Arthur’s raunchy 70’s pin-up once came close to a climax. It now seeks the ending on PornHub.

Does anyone fuck anymore? Or make art? At least Lucy Deveral has the nerve to make an old-school lesbian nude, and that alone breaks the show’s mantra of “joy”. All that’s left is to giggle post-coitally, then dive into Olivia Sterling’s body part patisserie.


notes and notices are short and curt exhibition reviews. Read more:

France-Lise McGurn, Strawberry at Massimodecarlo ★☆☆☆☆

France-Lise McGurn

Strawberry

★☆☆☆☆

McGurn has created the visual equivalent of elevator music.

Poppy Jones, Solid Objects at Herald St ★★★★☆

Poppy Jones

Solid Objects

★★★★☆

The lightness of the painter’s gesture cries out for a sledgehammer that would relieve the viewer of his doubt.

Theodore Ereira-Guyer, Jandyra Waters: We Lost Lots of Beautiful Things at Elizabeth Xi Bauer

Theodore Ereira-Guyer, Jandyra Waters

We Lost Lots of Beautiful Things

★★★★☆

The human mind is mimetic – all art is representation.

Cullinan Richards, Retrospective at Alma Pearl ★★★★☆

Cullinan Richards

Retrospective

★★★★☆

Rhis show is the kompromat in an art generation’s archive.

looking to the futurepast, we are treading forward, the Bolivian pavilion in Venice ★☆☆☆☆

looking to the futurepast, we are treading forward

★☆☆☆☆

The contemporary is of no interest to a nation whose future is yet to be dug out from the ground.

Roe Etheridge, Happy Birthday Louise Parker II at Gagosian ★★☆☆☆

Roe Etheridge

Happy Birthday Louise Parker II

★★☆☆☆

Etheridge’s method finds an extreme in this tiny pass-by display.

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