Harmony Korine

Aggressive Dr1fter Part II


On until 27 July 2024

Korine’s reputation precedes him. His cult legends like Kids and Trash Humpers are hard to eclipse. They have, however, earned him a place in both the indie canon and the art financiers’ chequebooks. This hasn’t always been to the work’s benefit. 2019’s Beach Bum shot in the style of Baywatch, for example, was thumbs-down dull. 

Last year’s Aggro Dr1ft is a brutal story of “the world’s greatest assassin”. The violence of gunshots, car chases, and concealed identities certainly could make for a sleepless night. Shot in a psychedelic, infrared colour, this film might be Korine’s return to form.

None of this is of use to the gallery, however. A series of canvases reproduces the film’s most striking scenes with the finesse of an inexperienced but already blasé studio assistant. The garish colours which may have carried the story in cinema here are unfitting of their new medium. One or two do invoke the eeriness promised by the project’s synopsis, but this is through chance rather than artistic merit. To make matters worse, the exhibition includes a couple of video objects that loop the film’s sequences. These would be more appropriate for NFT drops if not bus-stop billboards.

notes and notices are short and curt exhibition reviews. Read more:

Ghada Amer, QR CODES REVISITED—LONDON at Goodman ★★☆☆☆

Ghada Amer



This invites a game of proofreading, in hope that Amer maliciously inserted a greengrocer’s apostrophe into de Beauvoir’s mind.

Trevor Yeung, Soft Ground, at Gasworks ★★☆☆☆

Trevor Yeung

Soft Ground


It’s stressful enough to fuck in the forest for fear of passers-by or the police; imagine having to also look out for curators.

Deimantas Narkevičus, The Fifer at Maureen Paley ★★☆☆☆

Deimantas Narkevičus

The Fifer


In the age of the decolonial, this is as quaint as it is outmoded

Ron Nagle, Conniption at Modern Art ★★★★★

Ron Nagle



Less is more, as the saying goes. Nagle’s porcelain and resin maquettes are the bare minimum.

Helen Johnson, Opening at Pilar Corrias ★☆☆☆☆

Helen Johnson



This is the work of a mind that, having needlessly spent years in therapy, became hooked on ennui or of an artist who wasted time misreading Lacan.

Co Westerik, Centenary at Sadie Coles HQ ★★★☆☆

Co Westerik



Westerik catches his figures in deep contemplation in front of the mirror, in the gynaecologist’s chair, or even mid-orgy.