Jan Gatewood

Group Relations

★☆☆☆☆

On until 2 March 2024

“Like people, rabbits come in a variety of different shapes, sizes, and colours”, the exhibition handout warns visitors. Beware, ye faint of heart because Gatewood has bred at least a dozen. She has a story for each and each is more thrilling than the last. The show’s a dive down the warren and it will leave you breathless. 

But not thanks to the qualities of her rainbow pastels. No. These rabbits are, to swap Gatewood’s idiotic euphemism for another, stand-ins for ‘historically oppressed people’. “Children of the projects” appear in one. Others, she explains, are the alter egos of Toni Morrison, David Hammons, and Kara Walker. 

As though this couldn’t get any more patronising, the bunnies preach morals. “Rearrange yourself as an act of humility,” one challenges the bamboozled viewer. Such thin metaphors could only have come from LA. Did Gatewood look at her “In This House We Believe” yard sign and think that it needed some furries?


notes and notices are short and curt exhibition reviews. Read more:

Asami Shoji et al., Gestures of Resistance at A.I. ★★★★☆

Asami Shoji et al.

Gestures of Resistance

★★★★☆

The figures appear as though in x-ray and helplessly foretell their own ends.

Fake Barn Country at Raven Row ★☆☆☆☆

Fake Barn Country

★☆☆☆☆

This show of nearly thirty artists makes a pitch at many extremes, failing to reach any.

Dayanita Singh at Frith Street Gallery ★★☆☆☆

Dayanita Singh

★★☆☆☆

Singh’s pictures cold have been made by at least three other Frith Street artists.

Tommy Camerno, Delirious at Filet ★★☆☆☆

Tommy Camerno

Delirious

★★☆☆☆

What’s left of the show are stage props that feed adolescent imaginations with false memories of the long-finished party.

Jacob Dahlgren, When Anxieties Become Form at Workplace ★★☆☆☆

Jacob Dahlgren

When Anxieties Become Form

★★☆☆☆

The works are older than the artist’s last good idea.

HelenA Pritchard, The Homeless Mind at TJ Boulting ★★★☆☆

HelenA Pritchard

The Homeless Mind

★★★☆☆

Death by debris falling from building façades is an artist’s occupational hazard.

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