Jan Gatewood

Group Relations

★☆☆☆☆

On until 2 March 2024

“Like people, rabbits come in a variety of different shapes, sizes, and colours”, the exhibition handout warns visitors. Beware, ye faint of heart because Gatewood has bred at least a dozen. She has a story for each and each is more thrilling than the last. The show’s a dive down the warren and it will leave you breathless. 

But not thanks to the qualities of her rainbow pastels. No. These rabbits are, to swap Gatewood’s idiotic euphemism for another, stand-ins for ‘historically oppressed people’. “Children of the projects” appear in one. Others, she explains, are the alter egos of Toni Morrison, David Hammons, and Kara Walker. 

As though this couldn’t get any more patronising, the bunnies preach morals. “Rearrange yourself as an act of humility,” one challenges the bamboozled viewer. Such thin metaphors could only have come from LA. Did Gatewood look at her “In This House We Believe” yard sign and think that it needed some furries?


notes and notices are short and curt exhibition reviews. Read more:

Jasper Marsalis,  \m/’ at Emalin ★★★★☆

Jasper Marsalis

\m/'

★★★★☆

The circus is in town, its acts are the infrastructure of contentment.

Gina Fischli, Love Love Love at Soft Opening ★★★★☆

Gina Fischli

Love Love Love

★★★★☆

What good it is to be best in show when the competition is lame, crooked, or outright fake?

Roland Knowlden: Negations at House Work Presents ★★★☆☆

Roland Knowlden

Negations

★★★☆☆

An exhausted porcupine and an architectural war plan.

Christopher Wool at Gagosian ★★★☆☆

Christopher Wool

★★★☆☆

No room for the eye, no way to follow the line.

Judith Dean at South Parade ★★★★☆

Judith Dean

New Builds / Bilds 2: did you mean peace?

★★★★☆

Holbein’s skulls impresses no one anymore.

things fall apart; the centre cannot hold at Tabula Rasa ★★★★☆

Elli Antoniou, Ali Glover, Richard Dean Hughes

things fall apart; the centre cannot hold

★★★★☆

These works could bear witness to the birth of a star or the heat death of the universe. The curators don’t know which.

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