Meeson Jessica Pae

Secretions & Formations

★★★★☆

On until 13 January 2024

If the hospital played host to an artist-in-residence programme, Pae’s paintings would be of great use in the staff training room and the consultant’s office. But her arrangements of arteries, glands, and other bodily organs that fill half a dozen intensely crimson canvases have no respect for anatomy. Bloodstreams become spaceports, the large intestine the site of a battle. 

Oil paint can cause cancer. A surgery of galactic scale sliced through these forms, leaving their tendrils hanging in mucous-filled cavities. Despite this, a boundless life force orients these pictures. What they suffer in eek-factor, they overcome with sheer metabolic desire. 


notes and notices are short and curt exhibition reviews. Read more:

Aziza Kadyri, the Uzbekistan pavilion in Venice ★★★★☆

Aziza Kadyri

Don't Miss the Cue

★★★★☆

This dissonance might be intentional. If it isn’t, so much for the better.

Vlatka Horvat, The Croatian Pavilion in Venice ★★☆☆☆

Vlatka Horvat

By the Means at Hand

★★☆☆☆

This closed circulation project speaks to and agrees with only itself.

Merike Estna: The House of Leaking Sky at the Estonian pavilion, Venice ★★☆☆☆

Merike Estna

The House of Leaking Sky

★★☆☆☆

A racket not useful for sport.

France-Lise McGurn, Strawberry at Massimodecarlo ★☆☆☆☆

France-Lise McGurn

Strawberry

★☆☆☆☆

McGurn has created the visual equivalent of elevator music.

The Otolith Group, I See Infinite Distance Between Any Point and Another at greengrassi ★★☆☆☆

The Otolith Group

I See Infinite Distance Between Any Point and Another

★★☆☆☆

The exhibition is a private memorial for Etel Adnan accessible only to members of the art world’s inner circle. And that’s a pity.

Sula Bermúdez-Silverman, Bad Luck Rock at Josh Lilley ★★☆☆☆

Sula Bermúdez-Silverman

Bad Luck Rock

★★☆☆☆

This is a poor man’s version of history or a philistine collector’s absolution.

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