Marc-Aurèle Debut

ON REPEAT

★★★☆☆

On until 1 August 2026

Are gays okay? The question’s rhetorical, of course. Debut’s installation chases orgiastic exuberance to stave off the realisation that the carnival is long over. A pile of used men’s underwear — collected, one imagines, from a mere month’s worth of sexual encounters — hangs off laundry racks as if in a fetish club. An emoji-like graphic arrangement shows what the garb’s owners may get up to were they assembled within penetrating distance. Mechanical club beats blast on repeat, sustaining this cycle without reprieve.

Until 6pm, that is, when the gallery closes. Debut and his lovers spend their nights sleepless, imagining the courage to snap out of this cycle. They admit this much, wrongly believing this confession alone might save them. Pity, then, that they can’t make art out of it.


notes and notices are short and curt exhibition reviews. Read more:

Klara Lidén, Square Moon at Sadie Coles ★★☆☆☆

Klara Lidén

Square Moon

★★☆☆☆

This isn’t Times Square in a blackout.

Christine Ay Tjoe, Lesser Numerator at White Cube ★★☆☆☆

Christine Ay Tjoe

Lesser Numerator

★★☆☆☆

Aj Tjoe’s paintings could make great scenic backdrops to a David Attenborough documentary on the life of wild rodents

A light here required a shadow at Maximillian William ★★★☆☆

Grant Falardeau, Rimantė Mikulovičiūtė, Benjamin Sasserson, Bu Shi, Dylan Williams

A light here required a shadow

★★★☆☆

Catch the wrong end of the spectrum and forever remain obscured.

Vinca Petersen, Me, Us and Dogs at Edel Assanti ★★★☆☆

Vinca Petersen

Me, Us and Dogs

★★★☆☆

Close up, Petersen’s innocents today conjure ideas of redneck resistance. At scale, of state-marketed utopia. The middle ground is envy.

Karimah Ashadu: Tendered at Camden Art Centre ★★☆☆☆

Karimah Ashadu

Tendered

★★☆☆☆

Ashadu’s films are as banal as they are overbought with glib signifiers.

Cui Jie, Thermal Currents at Pilar Corrias ★☆☆☆☆

Cui Jie

Thermal Landscapes

★☆☆☆☆

The exhibition feels like a lecture on climate change sponsored by the designers of The Line, Saudi Arabia’s dystopian plan for a 110-mile linear city in the desert.

×