Julia Maiuri
Yesterday & The End


On until 13 January 2024

Maiuri’s oil copies of found film stills and promotional photographs from Hollywood’s golden age make a perfect show for the postage stamp collector. Not only will her bijou paintings fit through the letterbox, they also come in a choice of bright colours that would readily set the first class stamp apart even in a busy collection. Women’s faces and objects lifted from black and white thrillers fill the frames to bursting. Stylised retro typography signals timeless nostalgia. These scenes are at once familiar and unplaceable, as though designed to appeal to all, yet grant the illusion of depth to the would-be connoisseur. For the philatelist on a budget, Maiuri even reprised her first day covers in miniature on unprimed and presumably cheaper canvas, effectively painting each image twice.

But seeing them once would be plenty. One can only imagine that some unconscious loathing of postmen or Hollywood motivated this project. Maiuri’s hatred of paint, on the other hand, is evident.

notes and notices are short and curt exhibition reviews. Read more:

Bhenji Ra, Biraddali Dancing on the Horizon at Auto Italia ★☆☆☆☆

Bhenji Ra

Biraddali Dancing on the Horizon


Such work was once a mere grift. Now, it is an outright stitch-up.

Stephen Willats, Time Tumbler at Victoria Miro

Stephen Willats

Time Tumbler


Willats orders fragments of time, matter, and space into data packets on one side of the flow chart and puts them to use on the other.

Christo, Early Works at Gagosian Open ★★★★☆


Early Works


To appreciate Christo’s early works against his wishes, one must forget his later stunts.

Meeson Jessica Pae, Secretions & Formations at Carl Kostyál ★★★★☆

Meeson Jessica Pae

Secretions & Formations


Oil paint can cause cancer.

Justin Caguiat, Dreampop at Modern Art ★★★★☆

Justin Caguiat



This is the sort of exhibition that makes a critic question the quality of their judgment.

Oh, the Storm at Rodeo ★☆☆☆☆

Oh, the Storm


This exhibitions is trying to explain the concept of ‘crazy paving’ to a blind man. It’s impossible to tell where a work ends and the wall begins.