Julia Maiuri

Yesterday & The End

★☆☆☆☆

On until 13 January 2024

Maiuri’s oil copies of found film stills and promotional photographs from Hollywood’s golden age make a perfect show for the postage stamp collector. Not only will her bijou paintings fit through the letterbox, they also come in a choice of bright colours that would readily set the first class stamp apart even in a busy collection. Women’s faces and objects lifted from black and white thrillers fill the frames to bursting. Stylised retro typography signals timeless nostalgia. These scenes are at once familiar and unplaceable, as though designed to appeal to all, yet grant the illusion of depth to the would-be connoisseur. For the philatelist on a budget, Maiuri even reprised her first day covers in miniature on unprimed and presumably cheaper canvas, effectively painting each image twice.

But seeing them once would be plenty. One can only imagine that some unconscious loathing of postmen or Hollywood motivated this project. Maiuri’s hatred of paint, on the other hand, is evident.


notes and notices are short and curt exhibition reviews. Read more:

Robert Ryman, Line at David Zwirner ★★★☆☆

Robert Ryman

Line

★★★☆☆

The artist’s signature becomes a distress call.

Trevor Yeung, Soft Ground, at Gasworks ★★☆☆☆

Trevor Yeung

Soft Ground

★★☆☆☆

It’s stressful enough to fuck in the forest for fear of passers-by or the police; imagine having to also look out for curators.

Shu Lea Cheang at Project Native Informant ★★☆☆☆

Shu Lea Cheang

Scifi New Queer Cinema, 1994-2023

★★☆☆☆

With material this gratuitously explicit and a curator this absent, it’s a miracle that this project wasn’t shut down by the licencing, or indeed art-historical authorities.

Esteban Jefferson, May 25th, 2020 at Goldsmiths CCA ★★★☆☆

Esteban Jefferson

May 25th, 2020

★★★☆☆

This exhibition is a warning to would-be propagandists: trust art at your peril.

Armando D. Cosmos, Nothing New Under the Sun at Phillida Reid ★★★☆☆

Armando D. Cosmos

Nothing New Under the Sun

★★★☆☆

Cosmos wants to redefine STEM as the alliance of science, theosophy, engineering, and myth.

Willie Doherty, Remnant at Matt’s Gallery ★★★☆☆

Willie Doherty

Remnant

★★★☆☆

Doherty’s tragipoetic timing can be masterly.

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