Pierre d'Alancaisez

Fritsch, Genzken, Oldenburg, Shani, Sherman, Smithson, Thek

Material Rites

Gathering, London

★★★☆☆

On until 9 March 2024

Material’s disastrous influence on meaning, questioned in this show deftly by Oldenburg, Sherman, and Genzken, should be art’s most pressing concern. The role of faith in the making of truth, likewise, is routinely overlooked. Here, Thek and Fritsch take a good stab at it.

The instincts are right, but too much makes sense to make sense together in this cramped Soho showroom. A scan of the gallery’s roster reveals that the project’s aim is to upvote a couple of amorphous, although figurative works by Tai Shani. Curatorial and commercial ambitions mix thus, and suffer the same fate we all do.

notes and notices are short and curt exhibition reviews. Read more:

Onyeka Igwe, history is a living weapon in yr hand at PEER ★★☆☆☆

Onyeka Igwe

history is a living weapon in yr hand

★★☆☆☆

The Mavericks wanted a weapon, Igwe leaves them a toy.

Adriano Costa, ax-d. us. t at Emalin ★★★☆☆

Adriano Costa

ax-d. us. t

★★★☆☆

Form triumphs over detritus.

Ranti Bam: Sacred Groves at South London Gallery

Ranti Bam

Sacred Groves

★★★☆☆

The whimsical freedom of Bam’s overgrown pot plants is an illusion.

Ghada Amer, QR CODES REVISITED—LONDON at Goodman ★★☆☆☆

Ghada Amer

QR CODES REVISITED—LONDON

★★☆☆☆

This invites a game of proofreading, in hope that Amer maliciously inserted a greengrocer’s apostrophe into de Beauvoir’s mind.

Eddie Ruscha, Seeing Frequencies at Cedric Bardawil ★☆☆☆☆

Eddie Ruscha

Seeing Frequencies

★☆☆☆☆

But either the curator or the artist should have known better.

Florian Meisenberg, What does the smoke know of the fire? at Kate MacGarry, ★★★★☆

Florian Meisenberg

What does the smoke know of the fire?

★★★★☆

Meisenberg’s paintings are either the product of a conspiracy or documents of a conspiracy theory.

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