Ada Bond, Rebecca Davy, Karen Densha, Sam Owen Hull, Hilary Jack, Rachel Goodyear, Evita Ziemele, et al.

Medusa

★★★☆☆

Curated by Mike Chavez-Dawson
On until 22 March 2025

There is a mode of curating a group show which takes a title so literally that one suspects a hashtag search was engaged in its preparation. This one half-falls under Medusa’s spell: Ziemele’s chick-lit cover oils and Goodyear’s bedtime scare story watercolour are too straightforward as reflections from the myth and reveal little about who beheaded whom. Densham’s bijou gold ceramics are twisted-pretty but inconsequential in context. Dawson and Davy turn to AI but leave even it none the wiser. 

The joke finally lands with Murray’s spaghetti painting and Jack’s sublimely ridiculous rock. Bond’s Gogron, for the love of myth, is painted on cheese, albeit disappointingly that cheese is not gorgonzola. Interpreting a tale this grotesque, this ugly, and, as in Hull’s maquette for a painting, venomous will take thousands of years.


notes and notices are short and curt exhibition reviews. Read more:

Thibault Aedy, Dilara Koz at Filet ★★★☆☆

Thibault Aedy, Dilara Koz

Caressed and Polished and Drained and Washed

★★★☆☆

These ideas can’t last beyond the pop-up show’s closing date.

When Forms Come Alive at Hayward Gallery ★★☆☆☆

When Forms Come Alive

★★☆☆☆

This exhibition cannot decide if it’s a tourist attraction or a serious examination of sculpture’s relationship with movement.

Julia Maiuri, Yesterday & The End at Workplace ★☆☆☆☆

Julia Maiuri

Yesterday & The End

★☆☆☆☆

One can only imagine that some unconscious loathing of postmen motivated this project.

Bhenji Ra, Biraddali Dancing on the Horizon at Auto Italia ★☆☆☆☆

Bhenji Ra

Biraddali Dancing on the Horizon

★☆☆☆☆

Such work was once a mere grift. Now, it is an outright stitch-up.

Justin Chance, Motherhood at Ginny on Frederick ★★☆☆☆

Justin Chance

Motherhood

★★☆☆☆

If only he stopped there.

Siobhan Liddell, Been and Gone at Hollybush Gardens ★★☆☆☆

Siobhan Liddell

Been and Gone

★★☆☆☆

A twee aesthetics native to a grandmother’s mantlepiece collection of tourist souvenirs and devotional figurines.

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