Ada Bond, Rebecca Davy, Karen Densha, Sam Owen Hull, Hilary Jack, Rachel Goodyear, Evita Ziemele, et al.

Medusa

★★★☆☆

Curated by Mike Chavez-Dawson
On until 22 March 2025

There is a mode of curating a group show which takes a title so literally that one suspects a hashtag search was engaged in its preparation. This one half-falls under Medusa’s spell: Ziemele’s chick-lit cover oils and Goodyear’s bedtime scare story watercolour are too straightforward as reflections from the myth and reveal little about who beheaded whom. Densham’s bijou gold ceramics are twisted-pretty but inconsequential in context. Dawson and Davy turn to AI but leave even it none the wiser. 

The joke finally lands with Murray’s spaghetti painting and Jack’s sublimely ridiculous rock. Bond’s Gogron, for the love of myth, is painted on cheese, albeit disappointingly that cheese is not gorgonzola. Interpreting a tale this grotesque, this ugly, and, as in Hull’s maquette for a painting, venomous will take thousands of years.


notes and notices are short and curt exhibition reviews. Read more:

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★☆☆☆☆

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Nicole Eisenman, What Happened at Whitechapel Gallery ★★★☆☆

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★★★☆☆

There’s a Bosch hellscape dedicated to Trump and a whole “basket of deplorables” polishing their guns in a prepper cell.

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