Meeson Jessica Pae

Secretions & Formations

★★★★☆

On until 13 January 2024

If the hospital played host to an artist-in-residence programme, Pae’s paintings would be of great use in the staff training room and the consultant’s office. But her arrangements of arteries, glands, and other bodily organs that fill half a dozen intensely crimson canvases have no respect for anatomy. Bloodstreams become spaceports, the large intestine the site of a battle. 

Oil paint can cause cancer. A surgery of galactic scale sliced through these forms, leaving their tendrils hanging in mucous-filled cavities. Despite this, a boundless life force orients these pictures. What they suffer in eek-factor, they overcome with sheer metabolic desire. 


notes and notices are short and curt exhibition reviews. Read more:

Jack O’Brien, The Reward at Camden Art Centre ★★☆☆☆

Jack O'Brien

The Reward

★★☆☆☆

No narrative emerges from the tonnes of steel and plastic his work consumed

Max Hooper Schneider, Twilight at the Earth’s Crust at Maureen Paley ★★☆☆☆

Max Hooper Schneider

Twilight at the Earth’s Crust

★★☆☆☆

Mad Max meets Waterworld in a crossover sequel conceived by a film studio’s marketing department.

Ghada Amer, QR CODES REVISITED—LONDON at Goodman ★★☆☆☆

Ghada Amer

QR CODES REVISITED—LONDON

★★☆☆☆

This invites a game of proofreading, in hope that Amer maliciously inserted a greengrocer’s apostrophe into de Beauvoir’s mind.

Dayanita Singh at Frith Street Gallery ★★☆☆☆

Dayanita Singh

★★☆☆☆

Singh’s pictures cold have been made by at least three other Frith Street artists.

Alexis Kyle Mitchell: The Goal of Our Health at Peer ★★☆☆☆

Alexis Kyle Mitchell

The Goal of Our Health

★★☆☆☆

When Adam Curtis stopped narrating his ‘documentaries’, some stories are wasted breath.

Matthew Barney, SECONDARY at Sadie Coles HQ ★★★☆☆

Matthew Barney

SECONDARY: light lens parallax

★★★☆☆

Secondary turns the gallery into an American Football stadium. But all the seats in the house are the cheap seats and the game lacks a cheerleader.

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