Özgür Kar

Heavy Ground

★★★☆☆

On until 8 February 2025

A pair of houseflies caught in the sticky mess of a trap live out their last moments in serenade and coitus. The end, or is it? This is the kind of story one would like to be ‘deceptively’ simple in the hope of uncovering its trick. Kar’s animated film loops and the desperate rite misses a finale. Dirt, death, and procreation, again and once more, forever.

The installation relies entirely on a display gimmick. If these few frames hold some profound truth, this exhibition overplays its importance. Whatever insight Kar offers into a fly’s life – or, to have it his way, the whole universe – is aesthetically intriguing but fleeting.


notes and notices are short and curt exhibition reviews. Read more:

Noah Davis at The Barbican ★★★☆☆

Noah Davis

★★★☆☆

Davis’ canvases give an account of time more sensitively than the Victorian portrait photograph

George Rouy: REPRISE at Hannah Barry ★★★☆☆

George Rouy

REPRISE

★★★☆☆

Rouy’s mid-mortem group portraits betray timidity when faced with their own image.

Terry Winters: Along the River at Modern Art ★★★★★

Terry Winters

Along the River

★★★★★

A creationist science born out of oil.

Elena Njoabuzia Onwochei-Garcia: Grown at William Hine ★★★★☆

Elena Njoabuzia Onwochei-Garcia

Grown: The Altering of Innocence and Experience

★★★★☆

These fables are pure pleasure to narrate, yet their references overwhelm.

Tacita Dean: Black, Green, Green and White at Frith Street Gallery ★☆☆☆☆

Tacita Dean

Black, Green, Green and White

★☆☆☆☆

Film studies lost to mobile video; Dean phones it in.

Ed Webb-Ingall, A Bedroom for Everyone at PEER ★☆☆☆☆

Ed Webb-Ingall

A Bedroom for Everyone

★☆☆☆☆

How can art improve the lives of communities? Wrong answers only.

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