Nicole Eisenman

What Happened

★★★☆☆

On until 14 January 2024

Eisenman’s oeuvre, presented here chronologically, invites sympathy to begin with. The painter was a war artist to the subcultural and sexual shenanigans of Manhattan’s Lower East Side in the 1990s. Imagine a wall’s worth of orgiastic sketches (Viz magazine but in oil paint) and you’ll wish you’d dropped out of the same art school. A decade later, when Eisenman’s midlife crisis coincided with America’s brutal political reawakening, her interest turned to the lone figure. As she mourned the loss of youth and relationships, her cartoonish affectations gave way to Holbein, Breughel, and Bacon.

But come Tea Party time, the tables turned and Eisenman has since used her canvases to warn, not plead. There’s a Bosch hellscape dedicated to Trump, a scene with a red-hatted MAGA chud, and a whole “basket of deplorables” polishing their guns in a prepper cell. The exhibition’s finale is a reproduction (!) of a group portrait of Eisenman’s art world friends lounging in a park to protest police violence that would fascinate an anthropologist.

These works lack the universalism of Eisenman’s earlier practice. Instead of confidence, they breed paranoia. And it, in turn, casts doubt on the earlier work’s daring.


notes and notices are short and curt exhibition reviews. Read more:

Raed Yassin: Eternal Ghost at Cedric Bardawill ★★☆☆☆

Raed Yassin

Eternal Ghost

★★☆☆☆

Pictures of other people’s children don’t sell.

Some May Work as Symbols at Raven Row ★★★★☆

Some May Work as Symbols: Art Made in Brazil, 1950s–70s

★★★★☆

Art history can catch modernity in splitting from the past and thus from itself.

Ron Nagle, Conniption at Modern Art ★★★★★

Ron Nagle

Conniption

★★★★★

Less is more, as the saying goes. Nagle’s porcelain and resin maquettes are the bare minimum.

Hannah Tilson, Soft Cut at Cedric Bardawil ★★☆☆☆

Hannah Tilson

Soft Cut

★★☆☆☆

Tilson’s styled self-portraits are an affectation that will take many years of practice to pay off.

Jacob Dahlgren, When Anxieties Become Form at Workplace ★★☆☆☆

Jacob Dahlgren

When Anxieties Become Form

★★☆☆☆

The works are older than the artist’s last good idea.

James Welling and Bernd & Hilla Becher at Maureen Paley ★★★☆☆

James Welling and Bernd & Hilla Becher

★★★☆☆

Welling’s veneration of brutalist concrete borders on fetish.

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