Robert Ryman



Curated by Dieter Schwarz
On until 13 January 2024

Ryman’s delicate drawings are tentative attempts to settle in a lasting frame of reference. With the methodical zeal of a search and rescue pilot, the artist scored sheets of paper, coffee filters, and aluminium panels with girds and orientation marks in the hope that he may eventually understand the territory. Some of these nearly monochromatic frames, each barely a square foot, are maps of the forest, others of fog, others still of time past.

But when Ryman’s gestures grow in confidence, switching from pencil to black marker ink, for example, they inadvertently reveal their mounting desperation. The artist’s signature becomes a distress call and not even the horizon line helps the escape.

notes and notices are short and curt exhibition reviews. Read more:

Bhenji Ra, Biraddali Dancing on the Horizon at Auto Italia ★☆☆☆☆

Bhenji Ra

Biraddali Dancing on the Horizon


Such work was once a mere grift. Now, it is an outright stitch-up.

Iris Touliatou, Outfits at PEER ★★★☆☆

Iris Touliatou



These gestures remind the gallery that it is a social space. Unfortunately, they also inadvertently point to its sorry end.

Anna Glantz, Lichens at Approach ★★★☆☆

Anna Glantz



The clues that Glantz leaves on her surfaces are also traps. There are either too many or not quite enough to follow or fall into. 

Michael Simpson at Modern Art ★★★★☆

Michael Simpson


In this meditation of surface disguised as a study of objects, neither is a truer likeness of the events.

Ghada Amer, QR CODES REVISITED—LONDON at Goodman ★★☆☆☆

Ghada Amer



This invites a game of proofreading, in hope that Amer maliciously inserted a greengrocer’s apostrophe into de Beauvoir’s mind.

Esteban Jefferson, May 25th, 2020 at Goldsmiths CCA ★★★☆☆

Esteban Jefferson

May 25th, 2020


This exhibition is a warning to would-be propagandists: trust art at your peril.