Aziza Kadyri
Don't Miss the Cue


Curated by Centre for Contemporary Art Tashkent
On until 24 November 2024

This exhibition whose Venice-wide marketing barely mentions the artist is inexplicably seductive despite the studied amateurishness of the cultural diplomacy that gave rise to it. The whole thing is backwards. The theatre designer Kadyri turned a cavernous Arsenale warehouse into the backstage area of some unspecified celebratory event. She prepped stacks of embroidered cloth and craft wares for a folklore display dance like those put on when a dignitary visits town. 

But everyone’s a VIP at the world’s largest drop-in cultural centre. Even Kadyri’s independent young artists’ collective boasts an “executive director”. The whole project thus reads like a self-referential press release maliciously corrupted by the AI which the artist used to design some of her nostalgia-trap patterns. This dissonance might be intentional. If it isn’t, so much for the better.

notes and notices are short and curt exhibition reviews. Read more:

Amanda Wall, Femcel at Almine Rech ★★★☆☆

Amanda Wall



There’s no dignity in paint when the arc of art history tends to “show hole”.

RE/SISTERS at Barbican ★★☆☆☆



Too many deadpan landscape photographs turn intrigue into fatigue and into paralysis.

Open Group, The Polish pavilion in Venice ★★★☆☆

Open Group

Repeat After Me II


The applause was rapturous. A sense of tragedy, however, was altogether missing.

Anna Barriball at Frith Street Gallery ★★☆☆☆

Anna Barriball

New Drawings


The eyes may be the windows of the soul. To make an aphorism of the reverse needs more than shadow-play.

Stephen Willats, Time Tumbler at Victoria Miro

Stephen Willats

Time Tumbler


Willats orders fragments of time, matter, and space into data packets on one side of the flow chart and puts them to use on the other.

Teewon Ahn and Ibrahim Meïté Sikely at Gianni Manhattan and P21 at Project Native Informant ★★★☆☆

Teewon Ahn and Ibrahim Meïté Sikely


These works are as garish as they are fun to look at.