Rose Finn-Kelcey

Suit of Lights

★★★★☆

On until 12 April 2025

The challenge which the late Finn-Kelcey’s work posed to sex and gender roles in the 1970s and 80s seems quaint today. The brand of feminism archived in her studio self-portraits as a bull matador and a casino croupier has since both proclaimed total victory and continues to make a muted demand for parity. The exhibition’s sensitive display in local-art-centre retro exposes that project’s breakdown.

But making it ‘live’ again, as Finn-Kelcey’s performances once may have done is a different challenge. Snapshots and scripts of her 1976 durational gallery lock-in with a pair of magpies are simply no match for Beuys’ time with the coyote. That the art historian at whom this display is aimed cannot agree is the movement’s tragedy.


notes and notices are short and curt exhibition reviews. Read more:

Geumhyung Jeong, Under Construction at ICA ★☆☆☆☆

Geumhyung Jeong

Under Construction

★☆☆☆☆

This tech-optimism might have entertained gallery-goers twenty years ago.

Sin Wei Kin, Portraits at Soft Opening ★★☆☆☆

Sin Wei Kin

Portraits

★★☆☆☆

This exhibition combines the most vulgar of all art school tropes: juvenile narcissism, NFT kitsch, and mindless referentialism.

Thibault Aedy, Dilara Koz at Filet ★★★☆☆

Thibault Aedy, Dilara Koz

Caressed and Polished and Drained and Washed

★★★☆☆

These ideas can’t last beyond the pop-up show’s closing date.

Amanda Wall, Femcel at Almine Rech ★★★☆☆

Amanda Wall

Femcel

★★★☆☆

There’s no dignity in paint when the arc of art history tends to “show hole”.

What Is It Like? at Arebyte ★★☆☆☆

Anna Bunting-Branch, Choy Ka Fai, Damara Inglês, Katarzyna Krakowiak, Lawrence Lek, Kira Xonorika

What Is It Like?

★★☆☆☆

What does it feel like for an intelligence to be artificial?

Ed Webb-Ingall, A Bedroom for Everyone at PEER ★☆☆☆☆

Ed Webb-Ingall

A Bedroom for Everyone

★☆☆☆☆

How can art improve the lives of communities? Wrong answers only.

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