Robert Rauschenberg

ROCI

★★★☆☆

On until 3 August 2024

There isn’t much new I expected to learn from a commercial excavation of an artist as thoroughly researched as the father of Neo-Dadaism Rauschenberg. This framing of his exhibition travels to cultural foes like Mexico, Venezuela, China, Japan, the Soviet Union, and East Germany in the 1980s, however, had me surprised. The project known as the Rauschenberg Overseas Culture Interchange and endearingly abbreviated to “Rocky” after the artist’s pet turtle outs Rauschenberg as a propagandist if not an outright Fed.

I happened to visit the gallery as one of its sales staff showered the work with adjectives for the benefit of a collector from one of these “alien but same” cultures. The American’s travel to politically “hostile” territories was “brave”. His wall assembly of Cuban cardboard boxes was “beautiful” and “profound” in a way only a child of American democracy could aspire to. That a visit to Tibet gave rise to a series of sculptures made of detritus was “remarkable”. Above all, Rauschenberg’s belief in the power of art to overcome division was “commendably unwavering”. 

It is no secret that the CIA supported American Abstract Expressionism at the height of the Cold War. That celebrating art’s complicity with regime propagation decades later would be profitable will need a future historian to untangle.


notes and notices are short and curt exhibition reviews. Read more:

Jacob Dahlgren, When Anxieties Become Form at Workplace ★★☆☆☆

Jacob Dahlgren

When Anxieties Become Form

★★☆☆☆

The works are older than the artist’s last good idea.

Erick Meyenberg, Nos marchábamos, regresábamos siempre, the Mexican pavilion in Venice ★☆☆☆☆

Erick Meyenberg

Nos marchábamos, regresábamos siempre

★☆☆☆☆

Whatever the purpose of this confusion, it’s not to be found in the gallery.

Oh, the Storm at Rodeo ★☆☆☆☆

Oh, the Storm

★☆☆☆☆

This exhibitions is trying to explain the concept of ‘crazy paving’ to a blind man. It’s impossible to tell where a work ends and the wall begins.

Dominique Fung, (Up)Rooted, at Massimo de Carlo ★★☆☆☆

Dominique Fung

(Up)Rooted

★★☆☆☆

All this tries to be macabre and surreal like in Bosch or Miyazaki but is instead laughably twee.

Pope.L, Hospital at South London Gallery ★★★☆☆

Pope.L

Hospital

★★★☆☆

This project lands in the joke section of Animal Farm and not as a prophecy of the Jan 6th insurrection.

Karrabing Film Collective, Night Fishing with Ancestors at Goldsmiths CCA ★☆☆☆☆

Karrabing Film Collective

Night Fishing with Ancestors

★☆☆☆☆

Little separates this display from a human zoo complete with curators who occasionally kettle-prod the once noble savage into a spectacular rage.

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