There is an unstated hierarchy of forms at work in this enigmatic not-quite-solo, not-quite-collective exhibition. “Hereafter” was conceived by Simon Moretti and features works by well over a dozen “guest” others. The artist’s wall-mounted neon, Double Vortex (after Emanuel Swedenborg), 2025, is the show’s cipher. This work’s very shape—like a ram’s horns atop an Ionic column—points to the heavens.
Simon Moretti et al. Hereafter
Simon Moretti et al.
Hereafter
★★★★★
On until 30 May 2025
notes and notices are short and curt exhibition reviews. Read more:
Eddie Ruscha
Eddie Ruscha
Seeing Frequencies
★☆☆☆☆
But either the curator or the artist should have known better.
C. Rose Smith
C. Rose Smith
Talking Back to Power
★★☆☆☆
There’s no conversation, no challenge, no win.
Fritsch, Genzken, Oldenburg, Shani, Sherman, Smithson, Thek
Fritsch, Genzken, Oldenburg, Shani, Sherman, Smithson, Thek
Material Rites
★★★☆☆
The instincts are right, but too much makes sense to make sense together.
Roe Etheridge
Roe Etheridge
Happy Birthday Louise Parker II
★★☆☆☆
Etheridge’s method finds an extreme in this tiny pass-by display.
Mandy El-Sayegh
Mandy El-Sayegh
Interiors
★★☆☆☆
For the abundance of material, there simply aren’t enough ideas in the exhibition to go around these Mayfair interiors.
Ada Bond, Rebecca Davy, Karen Densha, Sam Owen Hull, Hilary Jack, Rachel Goodyear, Evita Ziemele, et al.
Ada Bond, Rebecca Davy, Karen Densha, Sam Owen Hull, Hilary Jack, Rachel Goodyear, Evita Ziemele, et al.
Medusa
★★★☆☆
Interpreting a tale this grotesque, ugly, and venomous will take thousands of years
