There is an unstated hierarchy of forms at work in this enigmatic not-quite-solo, not-quite-collective exhibition. “Hereafter” was conceived by Simon Moretti and features works by well over a dozen “guest” others. The artist’s wall-mounted neon, Double Vortex (after Emanuel Swedenborg), 2025, is the show’s cipher. This work’s very shape—like a ram’s horns atop an Ionic column—points to the heavens.
Simon Moretti et al. Hereafter
Simon Moretti et al.
Hereafter
★★★★★
On until 30 May 2025
notes and notices are short and curt exhibition reviews. Read more:
Theodore Ereira-Guyer, Jandyra Waters
Theodore Ereira-Guyer, Jandyra Waters
We Lost Lots of Beautiful Things
★★★★☆
The human mind is mimetic – all art is representation.
Onyeka Igwe
Onyeka Igwe
history is a living weapon in yr hand
★★☆☆☆
The Mavericks wanted a weapon, Igwe leaves them a toy.
Vlatka Horvat
Vlatka Horvat
By the Means at Hand
★★☆☆☆
This closed circulation project speaks to and agrees with only itself.
Yuki Nakayama
Yuki Nakayama
After the Rain
★☆☆☆☆
Can an installation be too site-specific?
Dayanita Singh
Dayanita Singh
★★☆☆☆
Singh’s pictures cold have been made by at least three other Frith Street artists.
Max Hooper Schneider
Max Hooper Schneider
Twilight at the Earth’s Crust
★★☆☆☆
Mad Max meets Waterworld in a crossover sequel conceived by a film studio’s marketing department.
