There is an unstated hierarchy of forms at work in this enigmatic not-quite-solo, not-quite-collective exhibition. “Hereafter” was conceived by Simon Moretti and features works by well over a dozen “guest” others. The artist’s wall-mounted neon, Double Vortex (after Emanuel Swedenborg), 2025, is the show’s cipher. This work’s very shape—like a ram’s horns atop an Ionic column—points to the heavens.
Simon Moretti et al. Hereafter
Simon Moretti et al.
Hereafter
★★★★★
On until 30 May 2025
notes and notices are short and curt exhibition reviews. Read more:
transfeminisms Chapter IV: Care and Kinship
★☆☆☆☆
Lack of care for the artefact is a strange USP for a gallery.
Amanda Wall
Amanda Wall
Femcel
★★★☆☆
There’s no dignity in paint when the arc of art history tends to “show hole”.
Jack O'Brien
Jack O'Brien
The Reward
★★☆☆☆
No narrative emerges from the tonnes of steel and plastic his work consumed
Theodore Ereira-Guyer, Jandyra Waters
Theodore Ereira-Guyer, Jandyra Waters
We Lost Lots of Beautiful Things
★★★★☆
The human mind is mimetic – all art is representation.
Cynthia Hawkins
Cynthia Hawkins
Maps Necessary for a Walk in 4D: Chapter 4
★★★☆☆
Hawkins’s paint reveals that her studio was no crime scene.
Sylvie Fleury
Sylvie Fleury
S.F.
★★★☆☆
In Fleury’s car workshop cum womenswear boutique, everything is ready-made and ready-to-wear. But you can’t touch any of it and you certainly can’t afford it.
