Yuki Nakayama

After the Rain

★☆☆☆☆

On until 2 June 2024

Can an installation be too site-specific? Even without the help of an artist, this gallery’s quirky interior could not conceal the evidence of the site’s former life as an upscale spa. The showroom was once the steam room and the luxury marble floors tickled the feet of swimmers rather than entice would-be collectors. 

Nakayama’s sculptures and paintings echo handrails, lane lines, and life rings, as if to tempt the patron’s mind to the riviera with beach sand and sailboats. These fixtures were once useful. Today, the artist’s facile interventions only expose the gimmick.


notes and notices are short and curt exhibition reviews. Read more:

Michaël Borremans, The Monkey at David Zwirner ★★★★★

Michaël Borremans

The Monkey

★★★★★

Borremans toys with his subjects, his audience, and with art history.

Robert Rauschenberg, ROCI at Thaddeus Ropac ★★★☆☆

Robert Rauschenberg

ROCI

★★★☆☆

This project outs Rauschenberg as a propagandist if not an outright Fed.

Fake Barn Country at Raven Row ★☆☆☆☆

Fake Barn Country

★☆☆☆☆

This show of nearly thirty artists makes a pitch at many extremes, failing to reach any.

Richard Hunt, Metamorphosis at White Cube ★★★★★

Richard Hunt

Metamorphosis

★★★★★

A dictionary for self-determination written in phrases as they were being invented.

Jordan Derrien, Painted on a Wall of the Inn at Marlotte at Des Bains ★★☆☆☆

Jordan Derrien

Painted on a Wall of the Inn at Marlotte

★★☆☆☆

Derrien has his audience discussing the nature of paint drying out loud.

looking to the futurepast, we are treading forward, the Bolivian pavilion in Venice ★☆☆☆☆

looking to the futurepast, we are treading forward

★☆☆☆☆

The contemporary is of no interest to a nation whose future is yet to be dug out from the ground.

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