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After the Rain

★☆☆☆☆

On until 2 June 2024

Can an installation be too site-specific? Even without the help of an artist, this gallery’s quirky interior could not conceal the evidence of the site’s former life as an upscale spa. The showroom was once the steam room and the luxury marble floors tickled the feet of swimmers rather than entice would-be collectors. 

Nakayama’s sculptures and paintings echo handrails, lane lines, and life rings, as if to tempt the patron’s mind to the riviera with beach sand and sailboats. These fixtures were once useful. Today, the artist’s facile interventions only expose the gimmick.


notes and notices are short and curt exhibition reviews. Read more:

Karrabing Film Collective, Night Fishing with Ancestors at Goldsmiths CCA ★☆☆☆☆

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Night Fishing with Ancestors

★☆☆☆☆

Little separates this display from a human zoo complete with curators who occasionally kettle-prod the once noble savage into a spectacular rage.

David Muenzer, Teen at Final Hot Desert ★★★☆☆

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Teen

★★★☆☆

Muenzer’s messy show bedroom actually is someone’s messy bedroom most nights of the week.

Liam Gillick, The Sleepwalkers at Maureen Paley ★★★☆☆

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The Sleepwalkers

★★★☆☆

Gillick’s practice lacks obviously consistent character, save for it is sparseness of means and the ungraspability of its referents.

Ebun Sodipo, An Ominous Presence at Soft Opening ★★☆☆☆

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An Ominous Presence

★★☆☆☆

Look, and it’s all on the surface.

Trevor Yeung, Soft Ground, at Gasworks ★★☆☆☆

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Soft Ground

★★☆☆☆

It’s stressful enough to fuck in the forest for fear of passers-by or the police; imagine having to also look out for curators.

Divine Southgate-Smith, Navigator at Nicoletti ★☆☆☆☆

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Navigator

★☆☆☆☆

It is too late to save the regime, yet too early to mourn it.

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