Yuki Nakayama

After the Rain

★☆☆☆☆

On until 2 June 2024

Can an installation be too site-specific? Even without the help of an artist, this gallery’s quirky interior could not conceal the evidence of the site’s former life as an upscale spa. The showroom was once the steam room and the luxury marble floors tickled the feet of swimmers rather than entice would-be collectors. 

Nakayama’s sculptures and paintings echo handrails, lane lines, and life rings, as if to tempt the patron’s mind to the riviera with beach sand and sailboats. These fixtures were once useful. Today, the artist’s facile interventions only expose the gimmick.


notes and notices are short and curt exhibition reviews. Read more:

Haegue Yang, Leap Year at Hayward Gallery ★★☆☆☆

Haegue Yang

Leap Year

★★☆☆☆

The funfair is shuttered, long live the fair.

Ebun Sodipo, An Ominous Presence at Soft Opening ★★☆☆☆

Ebun Sodipo

An Ominous Presence

★★☆☆☆

Look, and it’s all on the surface.

Urs Fischer, Scratch & Sniff at Sadie Coles ★★★☆☆

Urs Fischer

Scratch & Sniff

★★★☆☆

It’s too early for a funeral, yet there’s no other reprieve in this commodity cult.

Gina Fischli, Love Love Love at Soft Opening ★★★★☆

Gina Fischli

Love Love Love

★★★★☆

What good it is to be best in show when the competition is lame, crooked, or outright fake?

looking to the futurepast, we are treading forward, the Bolivian pavilion in Venice ★☆☆☆☆

looking to the futurepast, we are treading forward

★☆☆☆☆

The contemporary is of no interest to a nation whose future is yet to be dug out from the ground.

Choon Mi Kim, ACID—FREEEE at Ginny on Frederick ★☆☆☆☆

Choon Mi Kim

ACID—FREEEE

★☆☆☆☆

Some forms of abstraction simply scream ‘my kid could have made that’.

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